France -- Biography; Voltaire, 1694-1778 -- Friends and associates
The Baron was as prudent in the time of his death as he had been in the
conduct of his life. He died on January 21 of that _annus mirabilis_,
1789. Five years more, and he would have seen his own principles
enthroned with the Goddess of Reason at Notre-Dame, and as, in part at
least, the consequence of her reign, the streets of Paris running with
blood. Directly after his death, the secret of his authorship became
public property.
It is permissible only to think of d’Holbach now as his guests and
friends thought of him in life--not as the author of ‘The System of
Nature’ at all, but as the liberal patron of letters, the best and
kindliest of good, easy men. One may be permitted to hate as bitterly as
Voltaire did the unreasonableness of his philosophy of pure reason; and
yet to regard the philosopher with gratitude and appreciation, as the
man who played in the great intellectual revival of his time one of the
homeliest, yet one of the most necessary of parts.
For d’Holbach provided the _rendez-vous_.
VI
_GRIMM: THE JOURNALIST_
The great Encyclopædia of Diderot and d’Alembert was to bring light to
the people; the ‘Literary Correspondence’ of Melchior Grimm was to bring
light to kings. The Encyclopædia was the conception of those who knew
that they were preparing mighty changes, but who did not live to see
them; the ‘Literary Correspondence’ was the work of a man whose shrewd
eyes foresaw little, but who lived to see all. The Encyclopædia
is dead, as a great man dies, having finished his work. The
‘Correspondence’--which could not cure those royal maladies, blindness,
ignorance, and hardness of heart--still lives a gay little life as the
most perfect contemporary record of any literary epoch in history.
* * * * *
In 1753, the sensibilities of sentimental Paris were most agreeably
touched by the pathetic story of a young gentleman who, having had his
suit rejected by a charming opera-dancer, Mademoiselle
[Illustration: FRÉDÉRIC-MELCHIOR GRIMM.
_From an Engraving, after Carmontelle, in the Bibliothèque Nationale,
Paris._]
Fel, straightway took to his bed and to a trance in which he passed
whole nights and days, ‘without speaking, hearing, or answering, as if
he were dead.’ The Abbé Raynal and Jean Jacques Rousseau constituted
themselves his nurses. They were both too romantic, and too much the
children of their time, to try the common-sense expedient of leaving the
rejected lover severely alone, or of throwing a bucket of cold water
over him. But when Rousseau saw a smile on the doctor’s face as he left
the patient’s room, his heart began to harden a little. And, sure
enough, one fine morning up gets the invalid, dresses, resumes his
ordinary course of life and never again mentions his malady to his
nurses--even to thank them.
Public-domain text, read in full here on John Shaqi.
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