The Front Yard, and Other Italian StoriesWoolson, Constance Fenimore
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The Front Yard, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"I had no idea that you were such a skilful acrobat, Ercole," said his
mistress.
Ercole turned a light somerset, gave a high jump, and came down in the
attitude of the Mercury of John of Bologna.
"Why, you are really wonderful!" said Miss Senter, admiringly.
And now he was dancing with butterfly grace.
Miss Senter was won. "But if I let you come in, Ercole, I hope you will
remember where you are?" she said, warningly. "Can you breathe quite at
ease in that mask?"
The gondolier opened his grotesque painted lips a little to show that he
could part them.
"Yes, I see. Now listen; in the drawing-room you must keep your eye on
me, and if at any time you see me raise my hand--so--you must dance out
of the room, Ercole. For the sign will mean that that is enough. But,
dear me! there's one thing we haven't thought of; who is to see to the
musicians up-stairs, and to go back and forth, telling them what to
play?"
"I can do that," said Carmela, who was now all smiles. "Does the
signorina wish me to take them up? They are all ready. They are waiting
in the wood-room."
The wood-room was a remote store-room for fuel; it was detached from the
rest of the apartment. "Why did you put them _there_?" inquired Miss
Senter, astonished.
"They are musicians--yes; but who knows what else they may be? Thieves,
perhaps!" said the deputy, shrewdly.
"Get them out immediately and take them up to the gallery," said Miss
Senter. "And tell them to play something lively as a beginning."
Carmela, quick as usual, was gone before the words were ended.
"Now, Ercole, wait until you hear the music. Then come in," said the
Consuless.
She returned to the drawing-room, making a motion with her hands as she
advanced, which indicated that her guests were to move a little more
towards the walls on each side, leaving the centre of the room free. And
then, as the music burst out above, Ercole came bounding in. His dress
was ordinary; Miss Senter was vexed anew that he had not told her of his
plan, for if he had she could have provided a perfectly fresh costume.
But no one noticed the costume; all eyes were fixed upon the gambols;
for, keeping time to the music, he was advancing up the room, dancing,
bounding, leaping, turning somersets, and every now and then striking an
attitude with extraordinary skill. He was so light that his white linen
feet made no sound, and so graceful that the fixed grin of his mask
became annoying, clashing as it did with the beauty of his poses. This
thought, however, came to the elders only; for to the children,
fascinated, shouting with delight, the broad red smile was an important
part.
"It's our gondolier," explained Miss Senter. "It's Ercole," she had
whispered to her brother.
"You are always so fortunate in servants," said Lady Kay. "That little
woman you have, too, Carmela--she is a miracle for an Italian."
Public-domain text, read in full here on John Shaqi.
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