The Front Yard, and Other Italian StoriesWoolson, Constance Fenimore
General
The Front Yard, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
Four times the clown made his pyrotechnic progress up and then down the
long salon, never twice repeating the same pose, but always something
new; then, after a final tremendous pigeon-wing, he let his white arms
fall and his white head droop on his breast, as if saying that he was
taking a moment for repose.
"Yes, yes; give him time to breathe, children," cried Peter. "I'll tell
you what," he added to Sir William Kay; "I've never seen a better
performance on any stage." And he slapped his leg in confirmation. The
Consul was a man whose sole claim to beauty lay in the fact that he
always looked extremely clean. He was meagre and small, with very short
legs, but he was without consciousness of these deficiencies; in the
presence of the Apollo Belvedere, for instance, it had never occurred to
him to draw comparisons. Nature, however, will out in some way, and from
childhood Peter Senter had had a profound admiration for feats of
strength, vaulting, tumbling, and the like. "I'll tell you what," he
repeated to Sir William; "I'll have the fellow exhibited; I'll start him
at my own cost. Here all this time--two whole years--he has been our
gondolier, Ercoly has, and nothing more; for I hadn't a suspicion that
he had the least talent in this line. But, sir, he's a regular
high-flier! And A Number One!"
Meanwhile the children were crowding closely round their clown, and
peering up in order still to see his grin, which was now partly hidden,
owing to his drooped head; the three Kings of Orient, especially, were
very pressing in their attentions, pinching his legs to see if they were
real.
"Come, children, this will be a good time for our second song," said
Miss Senter, making a diversion. "Take hands, now, in a circle;
yes--round the clown, if you wish. There--that's right." She signalled
to the music to stop, and then, beginning, led the little singers
herself:
"Though we're here on foreign shores,
We are all devotion
To our land of Stars and Stripes,
Far across the ocean.
Yankee doodle doodle doo,
Yankee doodle dandy,
Buckwheat cakes are very good,
And so's molasses candy."
Singing this gayly to the well-known fife-like tune, round and round
danced the children in a circle, holding each other's hands, the English
and Italians generously joining with the little Americans in praise of
the matutinal cakes which they had never seen; the Consuless had drilled
her choir beforehand, and they sang merrily and well. The first four
lines of this ditty had been composed by Peter himself for the occasion.
"I hear _you_ haf written this vurra fine piece!" said a Russian
princess, addressing him.
"Oh no," answered the Consul; "I only wrote the first four lines; the
chorus is one of our national songs, you know."
"But those first four lines--their sentiment ees so fine, so speerited!"
said the princess.
"Well, they're _neat_," Peter admitted, modestly.
Public-domain text, read in full here on John Shaqi.
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