The Front Yard, and Other Italian Stories — John Shaqi
The Front Yard, and Other Italian StoriesWoolson, Constance Fenimore
General
The Front Yard, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
These eyes were fixed now upon a low building that stood at a little
distance directly across the path. It was small and ancient, built of
stone, with a sloping roof and black door. There were no windows;
through this door entered the only light and air. Outside were two large
heaps of refuse, one of which had been there so long that thick matted
herbage was growing vigorously over its top. Bars guarded the entrance;
it was impossible to see what was within. But the woman knew without
seeing; she always knew. It had been a cow; it had been goats; it had
been pigs, and then goats again; for the past two years it had been pigs
steadily--always pigs. Her eyes were fixed upon this door as if held
there by a magnet; her mouth fell open a little as she gazed; her hands
lay loose in her lap. There was nothing new in the picture, certainly.
But the intensity of her feeling made it in one way always new. If love
wakes freshly every morning, so does hate, and Prudence Wilkin had
hated that cow-shed for years.
[Illustration: "''TWOULD BE SOMETHING TO CELEBRATE THE DAY WITH, THAT
WOULD'"]
The bells down in the town began to ring the Angelus. She woke from her
reverie, rebuckled the straps of the basket, and adjusting it by a jerk
of her shoulders in its place on her back, she took the fagot in one
hand, the bundle of herbs in the other, and carrying the sickle under
her arm, toiled slowly up the ascent, going round the cow-shed, as the
interrupted path too went round it, in an unpaved, provisional sort of
way (which had, however, lasted fifty years), and giving a wave of her
herbs towards the offending black door as she passed--a gesture that was
almost triumphant. "Jest you wait till next Fourth of July, you indecent
old Antiquity, you!" This is what she was thinking.
Prudence Wilkin's idea of Antiquity was everything that was old and
dirty; indecent Antiquity meant the same qualities increased to a degree
that was monstrous, a degree that the most profligate imagination of
Ledham (New Hampshire) would never have been able to conceive. There was
naturally a good deal of this sort of Antiquity in Assisi, her present
abode; it was all she saw when she descended to that picturesque town;
the great triple church of St. Francis she never entered; the
magnificent view of the valley, the serene vast Umbrian plain, she never
noticed; but the steep, narrow streets, with garbage here and there, the
crowding stone houses, centuries old, from whose court-yard doors issued
odors indescribable--these she knew well, and detested with all her
soul. Her deepest degree of loathing, however, was reserved for the
especial Antiquity that blocked her own front path, that elbowed her own
front door, this noisome stable or sty--for it was now one, now the
other--which she had hated and abhorred for sixteen long years.
Public-domain text, read in full here on John Shaqi.
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