The Front Yard, and Other Italian Stories — John Shaqi
The Front Yard, and Other Italian StoriesWoolson, Constance Fenimore
General
The Front Yard, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
They came up--three boys of seventeen and eighteen, and Griffith Carew,
who was ten years older. These three youths, with Arthur Abercrombie,
were studying architecture at the Beaux-Arts, Paris; this spring they
had given to a tour in Italy for the purpose of making architectural
drawings. Griffith Carew was also an architect, but a full-fledged one.
His indomitable perseverance and painstaking accuracy caused all the
younger men to respect him; the American students went further; they
were sure that Griff had only to "let himself go," and the United States
would bloom from end to end with City Halls of beauty unparalleled. In
the mean time Griff, while waiting for the City Halls perhaps, was so
kind-hearted and jovial and unselfish that they all adored him for that
too. It was a master-treat, therefore, to Arthur and his companions, to
have their paragon to themselves for a while on this temple-haunted
shore.
Griff sat down placidly, and began to talk to Aunt Octavia. He was of
medium height, his figure heavy and strong; he had a dark complexion and
thick features, lighted by pleasant brown eyes, and white teeth that
gleamed when he smiled.
Aunt Octavia was gracious to Griff; she had always distinguished him
from "Arthur's horde." This was not in the least because the horde
considered him the architect of the future. Aunt Octavia did not care
much about the future; her tests were those of the past. She had known
Griff's mother, and the persons whose mothers Aunt Octavia had
known--ah, that was a certificate!
II
In the meanwhile Pauline Graham had left Salerno behind her, and was
flying over the plain with John Ash.
Pauline all her life had had a passion for riding at breakneck speed;
one of the explanations of her fancy for Ash lay in the fact that,
having the same passion himself, he enabled her to gratify her own.
Whenever she had felt in the mood during the past five weeks there had
always been a horse and a mounted escort at her door. Upon this
occasion, after what they called an inspiring ride (to any one else a
series of mad gallops), they had dismounted at a farm-house, and leaving
their horses, had strolled down to the shore. It was a lovely day,
towards the last of March; the sea, of the soft misty blue of the
southern Mediterranean, stretched out before them without a sail; at
their feet the same clear water laved the shore in long smooth wavelets,
hardly a foot high, whose gentle roll upon the sands had an
indescribably caressing sound. There was no one in sight. It is a lonely
coast. Pauline stood, gazing absently over the blue.
"Sit down for a moment," suggested Ash.
"Not now."
"Not now? When do you expect to be here again?"
She came back to the present, laughing. "True; but I did not mean that;
I meant that you were not the ideal companion for sea-side musing; you
never meditate. I venture to say you have never quoted poetry in your
life."
"No; I live my poetry," John Ash responded.
Public-domain text, read in full here on John Shaqi.
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