Ash, coming out of his abstraction, broke into a laugh. "I shall take you in the finest landau in Salerno, marmer," he said, coming across to kiss her; "old lady Preston will have to put up with the second best. You haven't forgotten, then, that you used to ride, marmer, have you?" The mother's eyes had filled upon hearing the old name, the "marmer" of the days when he had been her devoted, constantly following, tyrannical, but very loving little boy. But she did not let the tears drop: she never made scenes of any kind before John. "Well, you've been riding horseback every day now for a long while; you haven't seemed to care at all for carriages. And I did use to ride horseback a good deal when I was a girl; I used to ride to the mill." "I know you did. And carry the grist to be ground." He kissed her again. "Don't be afraid of anything or anybody to-morrow, marmer, I beg. You're the bravest and most sensible woman I know, and I want you to look what you are." "Shall I wear my India shawl, then?" "Wear the best you have; I wish it were a hundred times bester. You are handsomer than any of them as it is." "Oh no, John; I ain't good-looking; I never was," said his mother, blushing. She put her hand up for a moment, nervously, over her mouth--a gesture habitual with her. "Yes, you are, marmer. Look at your eyes. It's only that you have got into a way of not thinking so. But I think so, and others shall." He went back to the sofa, and sank into abstraction again. At length his mother broke the silence, which had lasted very long. "I hope they are all well over there to-day?" she asked, hesitatingly. "Over there" was her name for the house on the shore, the house where she knew her son had for many weeks spent all his time. "Well? They're extraordinarily well," said Ash. He got up and walked restlessly about the room. After a while he stopped, and now he seemed to have forgotten his mother's presence, for his eyes rested upon her without seeing her. "One of them is a little too well," he said, menacingly; "let him look to himself--that's all." And then into his face, his mother, watching him, saw coming slowly something she knew. The expression changed him so completely that the ladies who had seen so much of him would not have recognized their visitor. His mother recognized him. That expression on her son's face was her life's long terror. He left the room. She listened as long as she could hear his steps; then, after sitting for some time with her head upon her arms on the table before her, she rose, and went slowly to put on her bonnet and shawl. Coming back, still slowly, she paused, and for five minutes stood there motionless. Then her hands dropped desparingly by her sides, and her worn face quivered. "O God, O our Father, I really don't know what ter do!" she murmured, breaking into helpless sobs, the stifled, difficult sobs of a person unaccustomed to self-expression, even the self-expression of grief.