I cannot express to you how the very soul within me shrank from putting
to sea in the little boat. There was no longer the support of the
excitement and terror of escaping from a sinking vessel. I stood upon an
island as solid as land, and the very sense of security it imparted
rendered the boat an object of terror, and the obligation upon me to
launch into yonder mighty space as frightful as a sentence of death. Yet
I could not but consider that it would be equally shocking to me to be
locked up in this slowly crumbling body of ice--nay, tenfold more
shocking, and that, if I had to choose between the boat and this hideous
solitude and sure starvation, I would cheerfully accept fifty times over
again the perils of a navigation in my tiny ark.
This reflection comforted me somewhat, and whilst I thus mused I
remained standing with my eyes upon the little group of fanciful fanes
and spires of ice on the edge of the abrupt hollow. I had been too
preoccupied to take close notice; on a sudden I started, amazed by an
appearance too exquisitely perfect to be credible. The sun shone with a
fine white frosty brilliance in the north-east; some of these spikes and
figures of ice reflected the radiance in several colours. In places
where they were wind-swept of their snow and showed the naked ice, the
hues were wondrously splendid, and, mingling upon the sight, formed a
kind of airy, rainbow-like veil that complicated the whole congregation
of white shaft and many-tinctured spire, the marble column, the
alabaster steeple into a confused but most surprisingly dainty and
shining scene.
It was whilst looking at this that my eye traced, a little distance
beyond, the form of a ship's spars and rigging. Through the labyrinth of
the ice outlines I clearly made out two masts, with two square yards on
the foremast, the rigging perfect so far as it went, for the figuration
showed no more than half the height of the masts, the lower parts being
apparently hidden behind the edge of the hollow. I have said that this
coast to the north abounded in many groups of beautiful fantastic
shapes, suggesting a great variety of objects, as the forms of clouds
do, but nothing perfect; but here now was something in ice that could
not have been completer, more symmetrical, more faultlessly proportioned
had it been the work of an artist. I walked close to it and a little way
around so as to obtain a clearer view, and then getting a fair sight of
the appearance I halted again, transfixed with amazement.
Public-domain text, read in full here on John Shaqi.
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