In June rain sometimes shades her band of daylight as with pencil
hatchings. The path grows slippery with mud, and umbrellas collide. Sudden
jets of water from spouts overhead splash on her startled pavement. In her
dismay, she takes it for the jest of an unmannerly scheme of creation.
The spring breeze, gone astray in her coil of contortions, stumbles like a
drunken vagabond against angle and corner, filling the dusty air with
scraps of paper and rag. "What fury of foolishness! Are the Gods gone mad?"
she exclaims in indignation.
But the daily refuse from the houses on both sides--scales of fish mixed
with ashes, vegetable peelings, rotten fruit, and dead rats--never rouse
her to question, "Why should these things be?"
She accepts every stone of her paving. But from between their chinks
sometimes a blade of grass peeps up. That baffles her. How can solid facts
permit such intrusion?
On a morning when at the touch of autumn light her houses wake up into
beauty from their foul dreams, she whispers to herself, "There is a
limitless wonder somewhere beyond these buildings."
But the hours pass on; the households are astir; the maid strolls back from
the market, swinging her right arm and with the left clasping the basket of
provisions to her side; the air grows thick with the smell and smoke of
kitchens. It again becomes clear to our Lane that the real and normal
consist solely of herself, her houses, and their muck-heaps.
22
The house, lingering on after its wealth has vanished, stands by the
wayside like a madman with a patched rag over his back.
Day after day scars it with spiteful scratches, and rainy months leave
their fantastic signatures on its bared bricks.
In a deserted upper room one of a pair of doors has fallen from rusty
hinges; and the other, widowed, bangs day and night to the fitful gusts.
One night the sound of women wailing came from that house. They mourned the
death of the last son of the family, a boy of eighteen, who earned his
living by playing the part of the heroine in a travelling theatre.
A few days more and the house became silent, and all the doors were locked.
Only on the north side in the upper room that desolate door would neither
drop off to its rest nor be shut, but swung to and fro in the wind like a
self-torturing soul.
After a time children's voices echo once more through that house. Over the
balcony-rail women's clothes are hung in the sun, a bird whistles from a
covered cage, and a boy plays with his kite on the terrace.
A tenant has come to occupy a few rooms. He earns little and has many
children. The tired mother beats them and they roll on the floor and
shriek.
A maid-servant of forty drudges through the day, quarrels with her
mistress, threatens to, but never leaves.
Public-domain text, read in full here on John Shaqi.
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