Fantasy fiction; Heaven -- Fiction; Hell -- Fiction; Unfinished books
Cold, cold, unutterably cold and silent. The woods were still, the
frosty air so still that not a leaf stirred. The moon shone white and
glorious; scarcely one shimmering cloud marred its strength; and the
stars tingled and gleamed and danced. White hung a silver robe of
sparsest snow over all the land, like a net of interwoven diamonds.
Away up north ran the Cumbrian Mountains, standing like giants against
the blue-black sky. There rose Helvellyn with its mighty hump, like a
headless criminal burdened high with woe: there the “Old Man”—he who
looks o’er Coniston—his beard and head quite white and blazoned by the
moon. Then stretching away from these, down to the coast and southward,
the barren Peat Moss—nothing but marsh and bush and scanty tree—and
bordering this on the land-side a range of hills, alternate wood or
grass, terminating in Ellerside and How-barrow.
There is a glorious view from these two hilly peaks: the one a barren
rock-strewn height, bare and uncompromising, the other, in its very
name, breathing its loveliness. “Ellerside Breast”—sweetest and purest
name—most beautiful of visions.
The rugged mountains, the lonely Mosses, grand in their desolation,
the wide expanse of woodland, the gentle fields, the green park with
its herd of deer and well-planned trees, the glorious sea and bay,
untarnished yet by aught but lonely cottages and farms along its
shores, the large Hall with its towers and stately cupolas, all make
the country round a dream of loveliness. But on this December night,
in its calm and purity, it has grown to grandeur. The heavy woods with
their black shadows look weird, their stillness frightens. No twitter
of bird or hum of insect, till suddenly the shrill tu-hoot of an owl
breaks forth and is repeated.
And suddenly, as if by the magic of it, you and I are transported to
that wooded Breast. We see a narrow path leading through the trees up
to a simple wooden seat, a narrower, more rugged one leading down from
it, a short, rocky space in front, and then a sheer declivity down
through the steep wood to the borders of the park. The quiet little
hamlet, never noisy, is now still with the silence of sleep. Nothing
but the owl cries out the reign of night.
And now having come with me thus far—stay—and cavil not, if
for a little time instead of flesh and blood I give you Spirits;
Spirits who in their intensity, their grandeur, and even in their
_littleness_, do far outvie our flesh-imprisoned selves.
There are two, and at first glance there is a similarity about them so
striking that you are compelled to look again.
Public-domain text, read in full here on John Shaqi.
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