“On seeing this figure the Inca Yupanqui fled, but the figure of the apparition called him by his name from within the fountain saying, ‘Come hither, my son, and fear not, for I am the Sun, thy father. Thou shalt conquer many nations: therefore be careful to pay great reverence to me and remember me in thy sacrifices.’ The apparition then vanished, while the piece of crystal remained. The Inca took care of it and they say that he afterwards saw everything he wanted in it. As soon as he was Lord he ordered a statue of the Sun to be made as nearly as possible resembling the figure he had seen in the crystal. He gave orders to the heads of the provinces in all the lands he had conquered, that they should make grand temples, richly endowed, and he commanded all his subjects to adore and reverence the new Deity, as they had heretofore worshipped the Creator.... It is related that all his conquests were made in the name of the Sun, his Father, and of the Creator. This Inca also commanded all the nations they conquered to hold their huacas in great veneration....” It is a startling but undeniable fact that one of the beautiful bas-reliefs found at Santa Lucia Cozumalhuapa near the western coast of Guatemala, about 1,200 miles to the north of the latitude of Cuzco, answers in a most striking manner to the description given of Inca Yupanqui’s vision.(27) Amongst the thirteen sculptured slabs discovered at Santa Lucia, there are six entire slabs and the fragment of another which are of almost uniform size and may be ranked among the finest examples of aboriginal art which have as yet been found on the American Continent. They represent seven different renderings of the same theme. On each slab an individual wearing elaborate insignia is represented as standing with one arm raised and his head thrown back in the act of gazing upwards towards a celestial figure which seems to be descending towards him. The arms and heads of these nobly conceived figures are visible, but in each case the faces seem to issue from a highly ornate symbol, which is different in each one, just as the insignia of each individual also varies in detail. At the same time it is obvious that the seven slabs commemorate as it were an identical circumstance,—the apparition of the same divinity to seven different individuals, six of which are represented with the sign of speech coming forth from their mouths in precisely the same manner. The general resemblance, notwithstanding the distinct individuality of each bas-relief, suggests that they commemorate the visions seen under similar circumstances by seven distinct personages of the same rank and position. Involuntarily one thinks of the period of enforced fast and vigil which marks the attainment of manhood and is still obligatory amongst North American tribes, amongst whom it only ends when they have entered into communion with their totemic ancestor. I am inclined to view these