An ancient American priest-astronomer, imbued with the native ideas, would doubtlessly see in the modern figures of Buddha a more perfect artistic rendition of the same conception which was expressed in the Copan swastika. He might remark that, in the statues of Buddha, the human form is intended to convey the idea of quadruple organization and that in certain images the primitive symbols of the centre, “the belly and navel,” are obviously emphasized. In the fakirs, who cultivate immobility, he might see people who are under the absolute dominion of the ideal of stability and detect the origin of this suggestion from the fact that the swastika position of either arms or legs is a favorite one among Hindoo fanatics, just as, out of devotion, many persons have swastikas painted or tattooed upon their limbs. It is interesting to note the peculiar result attained by the Buddhists in their development of the twin idea of permanence, _i. e._ immutability or immortality, as shown in the following quotation: “There is a remarkable distinction between the Buddhism of China and of Tibet. In regard to philosophy there is little or no difference, but in Tibet there is a hierarchy which exercises political power. In China this could not be. The Grand Lama and many other lamas in Mongolia and Tibet assume the title of ‘Living Buddha.’ In him, most of all, Buddha is incarnate, as the people are taught to think. He never dies. When the body, in which Buddha is for the time incarnate, ceases to perform its functions, some infant is chosen by the priests, who are intrusted with the duty of selecting, to become the residence of Buddha until, in turn, it grows up to manhood and dies. No Buddhist priest in China pretends to be a ‘living Buddha’ or to have a right to the exercise of political power. In Tibet, on the other hand, the Grand Lama, as chief of the ‘living Buddhas,’ not only holds the place of the historical Buddha long since dead, acting as a sort of high-priest, but he also exercises sovereignty over the country of Tibet ruling the laity as well as the clergy and being only subordinate to the lord paramount, the Emperor of China” (Edkins, Religion in China, p. 8). “The form of the Buddhist temples exemplifies in a striking manner the relative positions of Buddha and the gods. Four kings of the gods are represented in the vestibule. Their office is to guard the door by which entrance is obtained to the presence of Buddha.... The central position is that of Buddha, who is seated on the lotus flower in the attitude of a teacher....” (Edkins). In this attitude an ancient American high-priest would see the graphic representation of one of the titles of the star-god Polaris, “the teacher of the world.” The association of Buddha with the north and with the number seven is curiously shown in the mythical account that “when Buddha was born a lotus blossomed where he touched the ground; he stepped seven steps northward and a lotus marked each footfall.”