Tommy, it seemed, had got his enjoyment out of the business. He had, he
informed Betty, 'been helping Miss Varley to look for her cousin all
over the place.' Miss Varley's version was, 'Mr. Crevequer came about
with me; I don't know what use he thought he was, except to suggest
quite impossible places, and to talk till I felt quite giddy with it.
The way those absurd infants babble! And it's mostly such nonsense, when
one listens to it; they always make me feel as if I was Alice and they
were Tweedledum and Tweedledee; or perhaps the White Knight, because of
the sort of gentle melancholy they've got. When they come to a meal it's
exactly like the Mad Tea-Party. And it's so ridiculous the way, when one
of them stops to stammer, the other finishes the remark, or goes on with
it till the first one is ready again.'
Tommy's relations with Miss Varley had, during the past months, greatly
interested him. As she so pleased him externally, it was natural that he
should desire to make friends; and as this was an enterprise in which he
was not used to fail, he embarked on it with some audacity. There was a
certain detachment, lack of human interest, about Prudence Varley, as he
saw her, which were to him merely walls to be knocked down. He set about
razing them with cheerful serenity. It had certainly never occurred to
him that, if he wished to make friends with anyone, he would have any
difficulty in doing so. But the walls were rather solid, he found.
Against the battering-rams of his light-hearted sociability and
friendliness they seemed to stand firm; he was only occasionally cheered
by 'her eyes when she's going to smile.'
He one evening came to dinner in a mood of reckless resolution; however
uninterested, she should this one night be interested, more or less, in
him; he would break through the guard somehow and 'achieve intimacy.'
He skilfully arranged contiguity with her when they sat on the balcony
after dinner and listened to the mandolins in the road below. To tune
the scene to the note of seriousness he regarded as desirable--nonsense
having failed--he was silent for an unusual minute, to let the night
sink in: the broad stillness of the sea below the high road, with the
moon cutting its silver lane across it; Naples curving round the water's
edge, a great cluster of sparkling jewels; far off across the bay the
red glowing column above Vesuvius, that flared and darkened and flared
again. To the persistent tinkle of the mandolins below a tenor voice
sang 'Addio, bella Napoli!'
Tommy, having given the impression its chance of absorption, inquired:
'Do you like it?'
She turned to him a little absently, and the glow across the water
seemed to strike high-lights in her eyes.
'What?'
He swept his hand towards it.
'Naples--all that.'
Public-domain text, read in full here on John Shaqi.
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