Italy -- History -- 1815-1870 -- Fiction; Italy -- History -- Revolution of 1848 -- Fiction; Revolutionaries -- Fiction
Produced by Judy Boss
THE GADFLY
By E. L. Voynich
“What have we to do with Thee, Thou Jesus of Nazareth?”
AUTHOR'S PREFACE.
MY most cordial thanks are due to the many
persons who helped me to collect, in Italy, the
materials for this story. I am especially indebted
to the officials of the Marucelliana Library of
Florence, and of the State Archives and Civic
Museum of Bologna, for their courtesy and
kindness.
THE GADFLY
PART I.
CHAPTER I.
Arthur sat in the library of the theological seminary at Pisa, looking
through a pile of manuscript sermons. It was a hot evening in June, and
the windows stood wide open, with the shutters half closed for coolness.
The Father Director, Canon Montanelli, paused a moment in his writing to
glance lovingly at the black head bent over the papers.
“Can't you find it, carino? Never mind; I must rewrite the passage.
Possibly it has got torn up, and I have kept you all this time for
nothing.”
Montanelli's voice was rather low, but full and resonant, with a silvery
purity of tone that gave to his speech a peculiar charm. It was the
voice of a born orator, rich in possible modulations. When he spoke to
Arthur its note was always that of a caress.
“No, Padre, I must find it; I'm sure you put it here. You will never
make it the same by rewriting.”
Montanelli went on with his work. A sleepy cockchafer hummed drowsily
outside the window, and the long, melancholy call of a fruitseller
echoed down the street: “Fragola! fragola!”
“'On the Healing of the Leper'; here it is.” Arthur came across the room
with the velvet tread that always exasperated the good folk at home.
He was a slender little creature, more like an Italian in a
sixteenth-century portrait than a middle-class English lad of the
thirties. From the long eyebrows and sensitive mouth to the small hands
and feet, everything about him was too much chiseled, overdelicate.
Sitting still, he might have been taken for a very pretty girl
masquerading in male attire; but when he moved, his lithe agility
suggested a tame panther without the claws.
“Is that really it? What should I do without you, Arthur? I should
always be losing my things. No, I am not going to write any more now.
Come out into the garden, and I will help you with your work. What is
the bit you couldn't understand?”
Public-domain text, read in full here on John Shaqi.
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