Italy -- History -- 1815-1870 -- Fiction; Italy -- History -- Revolution of 1848 -- Fiction; Revolutionaries -- Fiction
“Has it never occurred to you that that miserable clown may have a
soul--a living, struggling, human soul, tied down into that crooked hulk
of a body and forced to slave for it? You that are so tender-hearted to
everything--you that pity the body in its fool's dress and bells--have
you never thought of the wretched soul that has not even motley to cover
its horrible nakedness? Think of it shivering with cold, stilled with
shame and misery, before all those people--feeling their jeers that cut
like a whip--their laughter, that burns like red-hot iron on the bare
flesh! Think of it looking round--so helpless before them all--for the
mountains that will not fall on it--for the rocks that have not the
heart to cover it--envying the rats that can creep into some hole in the
earth and hide; and remember that a soul is dumb--it has no voice to cry
out--it must endure, and endure, and endure. Oh! I'm talking nonsense!
Why on earth don't you laugh? You have no sense of humour!”
Slowly and in dead silence she turned and walked on along the river
side. During the whole evening it had not once occurred to her to
connect his trouble, whatever it might be, with the variety show; and
now that some dim picture of his inner life had been revealed to her by
this sudden outburst, she could not find, in her overwhelming pity for
him, one word to say. He walked on beside her, with his head turned
away, and looked into the water.
“I want you, please, to understand,” he began suddenly, turning to her
with a defiant air, “that everything I have just been saying to you is
pure imagination. I'm rather given to romancing, but I don't like people
to take it seriously.”
She made no answer, and they walked on in silence. As they passed by the
gateway of the Uffizi, he crossed the road and stooped down over a dark
bundle that was lying against the railings.
“What is the matter, little one?” he asked, more gently than she had
ever heard him speak. “Why don't you go home?”
The bundle moved, and answered something in a low, moaning voice. Gemma
came across to look, and saw a child of about six years old, ragged and
dirty, crouching on the pavement like a frightened animal. The Gadfly
was bending down with his hand on the unkempt head.
“What is it?” he said, stooping lower to catch the unintelligible
answer. “You ought to go home to bed; little boys have no business out
of doors at night; you'll be quite frozen! Give me your hand and jump up
like a man! Where do you live?”
He took the child's arm to raise him. The result was a sharp scream and
a quick shrinking away.
“Why, what is it?” the Gadfly asked, kneeling down on the pavement. “Ah!
Signora, look here!”
The child's shoulder and jacket were covered with blood.
“Tell me what has happened?” the Gadfly went on caressingly. “It wasn't
a fall, was it? No? Someone's been beating you? I thought so! Who was
it?”
“My uncle.”
“Ah, yes! And when was it?”
“This morning. He was drunk, and I--I----”
Public-domain text, read in full here on John Shaqi.
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