Italy -- History -- 1815-1870 -- Fiction; Italy -- History -- Revolution of 1848 -- Fiction; Revolutionaries -- Fiction
“And you got in his way--was that it? You shouldn't get in people's way
when they are drunk, little man; they don't like it. What shall we do
with this poor mite, signora? Come here to the light, sonny, and let
me look at that shoulder. Put your arm round my neck; I won't hurt you.
There we are!”
He lifted the boy in his arms, and, carrying him across the street, set
him down on the wide stone balustrade. Then, taking out a pocket-knife,
he deftly ripped up the torn sleeve, supporting the child's head against
his breast, while Gemma held the injured arm. The shoulder was badly
bruised and grazed, and there was a deep gash on the arm.
“That's an ugly cut to give a mite like you,” said the Gadfly, fastening
his handkerchief round the wound to prevent the jacket from rubbing
against it. “What did he do it with?”
“The shovel. I went to ask him to give me a soldo to get some polenta at
the corner shop, and he hit me with the shovel.”
The Gadfly shuddered. “Ah!” he said softly, “that hurts; doesn't it,
little one?”
“He hit me with the shovel--and I ran away--I ran away--because he hit
me.”
“And you've been wandering about ever since, without any dinner?”
Instead of answering, the child began to sob violently. The Gadfly
lifted him off the balustrade.
“There, there! We'll soon set all that straight. I wonder if we can
get a cab anywhere. I'm afraid they'll all be waiting by the theatre;
there's a grand performance going on to-night. I am sorry to drag you
about so, signora; but----”
“I would rather come with you. You may want help. Do you think you can
carry him so far? Isn't he very heavy?”
“Oh, I can manage, thank you.”
At the theatre door they found only a few cabs waiting, and these were
all engaged. The performance was over, and most of the audience had
gone. Zita's name was printed in large letters on the wall-placards; she
had been dancing in the ballet. Asking Gemma to wait for him a moment,
the Gadfly went round to the performers' entrance, and spoke to an
attendant.
“Has Mme. Reni gone yet?”
“No, sir,” the man answered, staring blankly at the spectacle of a
well-dressed gentleman carrying a ragged street child in his arms, “Mme.
Reni is just coming out, I think; her carriage is waiting for her. Yes;
there she comes.”
Zita descended the stairs, leaning on the arm of a young cavalry
officer. She looked superbly handsome, with an opera cloak of
flame-coloured velvet thrown over her evening dress, and a great fan of
ostrich plumes hanging from her waist. In the entry she stopped short,
and, drawing her hand away from the officer's arm, approached the Gadfly
in amazement.
“Felice!” she exclaimed under her breath, “what HAVE you got there?”
“I have picked up this child in the street. It is hurt and starving; and
I want to get it home as quickly as possible. There is not a cab to be
got anywhere, so I want to have your carriage.”
Public-domain text, read in full here on John Shaqi.
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