The Galaxy, April, 1877: Vol. XXIII.—April, 1877.—No. 4.Various
General
The Galaxy, April, 1877: Vol. XXIII.—April, 1877.—No. 4.
Various
American literature -- Periodicals
I am speaking always of one's first impression of them. There are spots
on the sun, and you discover after a while that there are little
irregularities at the Théâtre Français. But the acting is so
incomparably better than any that you have seen, that criticism for a
long time is content to lie dormant. I shall never forget how at first
I was under the charm. I liked the very incommodities of the place; I
am not sure that I did not find a certain mystic salubrity in the bad
ventilation. The Théâtre Français, it is known, gives you a good deal
for your money. The performance, which rarely ends before midnight, and
sometimes transgresses it, frequently begins by seven o'clock. The
first hour or two is occupied by secondary performers; but not for the
world at this time would I have missed the first rising of the curtain.
No dinner could be too hastily swallowed to enable me to see, for
instance, Mme. Nathalie in Octave Feuillet's charming little comedy of
"Le Village." Mme. Nathalie was a plain, stout old woman, who did the
mothers, and aunts, and elderly wives; I use the past tense because she
retired from the stage a year ago, leaving a most conspicuous vacancy.
She was an admirable actress, and a perfect mistress of laughter and
tears. In "Le Village" she played an old provincial _bourgeoise_ whose
husband takes it into his head, one winter night, to start on the tour
of Europe with a roving bachelor friend, who has dropped down on him at
supper-time, after the lapse of years, and has gossiped him into
momentary discontent with his fireside existence. My pleasure was in
Mme. Nathalie's figure when she came in dressed to go out to vespers
across the _place_. The two foolish old cronies are over their wine,
talking of the beauty of the women on the Ionian coast; you hear the
church bell in the distance. It was the quiet felicity of the old
lady's dress that used to charm me; the Comédie Française was in every
fold of it. She wore a large black silk mantilla, of a peculiar cut,
which looked as if she had just taken it tenderly out of some old
wardrobe where it lay folded in lavender, and a large dark bonnet,
adorned with handsome black silk loops and bows. Her big pale face had
a softly frightened look, and in her hand she carried her neatly kept
breviary. The extreme suggestiveness, and yet the taste and temperance
of this costume, seemed to me inimitable; the bonnet alone, with its
handsome, decent, virtuous bows, was worth coming to see. It expressed
all the rest, and you saw the excellent, pious woman go pick her steps
churchward among the puddles, while Jeannette, the cook, in a high
white cap, marched before her in sabots, with a lantern.
Public-domain text, read in full here on John Shaqi.
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