The way to the ruin wound round the slope of a wooded valley, at whose
bottom a brook flowed noisily over its pebbles as if it were anxious to
lose itself in the great stream that was shining peacefully behind the
sharply indented mountain side. Gagin called my attention to some
partially lighted spots; in his words the artist certainly spoke, if not
the painter. The river soon appeared. On the summit of the naked rock
rose a square town, black with age but in tolerable preservation, though
it was cleft from top to bottom. Moss-grown walls adjoined this town,
ivy clung here and there, a tangle of briars filled the embrasures and
the shattered arches. A stone foot-walk led to the door that remained
intact. We were already near it when suddenly a girl's figure sped by
us, sprang over the heaps of rubbish, and seated herself on a projection
of the wall directly over the abyss. "There is Assja," cried Gagin. "Is
she mad?"
Through the gate we stepped into a spacious courtyard half filled with
wild apple trees and stinging nettles. It was indeed Assja, who was
sitting on the projection. She looked down at us and laughed, but did
not stir from her place. Gagin threatened her with his finger. I began
to expostulate aloud with her on her recklessness.
"Don't do that," Gagin whispered to me. "Don't exasperate her. You don't
know her. She would be capable of clambering up the town. Look yonder,
rather, and see how ingenious the people hereabouts are."
I looked about me. A thrifty old lady had made herself very comfortable
in a kind of narrow booth made of boards piled up in one corner, and
knitted her stocking, while she occasionally glanced askance at us. She
had beer, cake, and soda-water for tourists. We sat down on a bench and
attacked our heavy tin mugs of cooling beer. Assja still sat motionless;
she had drawn up her feet, and wound her muslin scarf about her head.
Her charming, slender figure showed sharp against the sky, but I could
not look at it without annoyance. Even on the previous day I had seen
something intense, unnatural in her. "Does she want to astonish us?" I
thought. "What for? What a childish freak!" As if she had fathomed my
thought, she cast a quick and piercing glance at me, laughed loudly,
sprang in two bounds from the wall, and going to the old woman, asked
for a glass of water.
"You think that I want to drink it?" she said, turning to her brother.
"No; there are some flowers up there that I must water."
Gagin made no reply, but she scrambled up the ruins glass in hand, and,
stopping from time to time and bending down, with extraordinary
painstaking she let fall some drops of water, which glistened in the
sun. Her movements were full of grace, but I was vexed as before,
although I was forced to admire her lightness and dexterity. In one
perilous spot she uttered a little shriek with design, and then laughed
loudly again. That annoyed me still more.
Public-domain text, read in full here on John Shaqi.
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