What strange magnetism there was about this girl Harding, and indeed all
who looked at her, found it hard to define. Perhaps, apart from her
lovely eyes and hair and her exquisite figure, it was because she always
seemed to be drawing away that she proved so fascinating. Even when she
advanced straight toward you she seemed for ever to retreat. By what
subtle and skilful instinct of coquetry Miss Tinsel was enabled to
convey this impression cannot here be explained. That she did convey it
was universally admitted. It appeared, however, on inquiry, that her
dramatic powers were of the slightest. Her beauty and charm were such
that the manager would gladly have put her forward could he have seen
his way to do so. But her success had been so moderate, when the
experiment was tried, in one or two of the "walking ladies" of farces,
that it was thought wisest to let her be seen as much and heard as
little as possible.
When Harding last saw her that night she was going up to Paradise on one
foot, the other pointing vaguely at nothing behind, the intoxicating
eyes turned up with a charming simulation of pious joy, and the cherry
lips curled into a smile that showed plenty of pearls below. She
vanished from his gaze in a glory of red fire, amid the blare of gongs
and trumpets, while the "Blood-Red Demon" went down to the bad place
under the stage through a trap, and the "Queen of the Fairy Bower," with
felicitous compensation, ascended to the heaven of the flies.
After this tremendous catastrophe Harding went to his hotel and
reflected.
That a Timon like himself--a misogynist indeed of the first
water--should fall in love at first sight with a ballet girl certainly
furnished matter for reflection. But reflection did not prevent Timon
from seeking an interview with his unconscious enslaver the next day.
Even cold and soured natures may become under some incentives
enthusiastic and ingenious.
Harding found out where Miss Tinsel lived, learned that she usually came
from rehearsal at about two, called consequently at three, and coolly
sent in his name, telling the servant that the young lady would know who
he was. As he hoped, the device got him admittance. The girl supposed he
was some one from the theatre whose name she had not caught or had
forgotten.
It was a very plain and humble room, almost us bare and forbidding
perhaps as the inside of Harding's tent on the knoll, and yet how
glorified was the place with the purple atmosphere of romance!
Public-domain text, read in full here on John Shaqi.
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