Miss Tinsel was as simply equipped as her room: a gown of dark stuff
with a bit of color at the throat, and that was all. Harding saw that
she was not quite so perfect physically as he had thought, and this,
strange as it may seem, instantly increased his passion for her. Nothing
could make her figure other than beautiful, or impair the lustre of her
eyes; but the fair creature had a little range of freckles across her
delicate nose and cheeks, and her hair by day appeared, as has been said
before, nearly red. Her natural smile, on the other hand, as
distinguished from her stage smile, which was merely intoxicating, was
almost heavenly; and it was not made less so by an occasional look that
was grave almost to sadness.
"Sit down." He was standing stock still and silent in the middle of the
room. "You come from the theatre, don't you?"
It was a sweet voice--sweet and low--too low, in truth, which was one of
the reasons of its failure in the drama--one of those thrilling
contralto voices, most magnetic and charming when heard by one alone, or
close by, but which lost their magnetism and charm if strained to fill
the ears of a crowd.
"No--yes--that is, I was there last night. I saw you there," he replies
stupidly.
"Last night? Oh, yes. But why do you want to see me to-day?"
This is a hard question to answer; so he tries evasion.
"Did you get a bouquet?"
"A perfect love--a beauty--it was thrown at my feet; but I gave it to
her of course."
"Gave it to _her_?"
"Miss De Montague--don't you know--the 'Queen of the Fairy Bower?' She
gets all the bouquets."
"Oh, she does, does she?"
"Certainly. She is the principal, you know. Her engagement calls for all
the bouquets."
"Even when they are plainly intended for somebody else?"
"Ah, but they oughtn't to be intended for somebody else. If any one is
so silly as to think somebody else ought to have a bouquet, any one has
to be punished. Then they forfeit him."
"Forfeit him?"
"Or his flowers. They always forfeit you in theatres--if you're late at
rehearsal, you know, or if you keep the stage waiting. But then you
needn't mind. Miss De Montague is a dear, good soul. She took the
bouquet for the look of the thing, you know; that's business; but she
gave me half the flowers when we got home."
"Does she live here then?"
"Why, to be sure. You know, we always go to the theatre together. Only
for her I should be quite alone."
"And do you like this kind of thing?" he asks clumsily.
She bursts into a merry laugh. "Like it? Why, I get my living by it. We
all have to live, you know, and I've no one to look out for me but
myself, and----"
Public-domain text, read in full here on John Shaqi.
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