"Though the symbol was always probably in private use among the early Christians," struck in the truth-seeker, "I believe its first public appearance would not date further back than its triumphant one upon the Roman eagles. In the Catacombs, I'm told, the Virgin and Child appear in the oldest work, or symbolism--the Cross never save as executed by late hands." "May there not be subjective reasons for that?" asked my porcelain widow. "I mean for the modern adoration of the Cross? Do you not think we are much softer hearted, much more keenly susceptible of all the finer emotions than were those old Greek, Roman, and Jewish converts? One feels the same thing, it seems to me, in mystic reading. The old visions were triumphant, simple, or, so to say, material--the very A B C of mysticism; while the visions of later mystics are complicated, involved, like the soul-life of this time, often agonizing beyond natural power of endurance. And the stigmatized saints are of these later times." "And then," said the art-student, "I think they didn't realize in those early days how long time was going to be, and how tough and many-headed, evil. The faith was but young then. Perhaps they couldn't have borne to know the length and fluctuations of the fight--and they felt so sure of speedy victory, that our Lord's resurrection and ascension appealed to them more keenly than His passion." "All reasonable theories," replied my neighbor. "But, apropos of some of the legends concerning the Tragedy of the Cross, the weeping willow, the trembling aspen, the robin redbreast, the red crossbill, the passion flower, and so many more, I hardly know a more naïve example of the way in which our forefathers pressed the exterior world into testimony for their belief than occurs in an old picture in an Augustinian monastery in Sussex. "It is a fresco on the wall of a chamber--subject, the Nativity--and the animals therein are made to publish the event in words supposed to resemble their characteristic sounds and cries. A cock, crowing, is perched at the top, and a label from out his mouth has the words, 'Christus natus est!' 'Quando, quando?' quacks the duck. Hoarsely the raven, 'In hæ nocte.' 'Ubi? ubi?' inquires the cow. And, 'Bethlehem,' bleats out the lamb." "Oh, Mrs. Stainton, I beg your pardon," suddenly called out the ex-Anglican parson from the foot of the table, and despatching a servant with a plate to the little widow. "I quite forgot your predilection."