The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
Mr. Fox opposed to the utmost the war, into which the minister was
unwillingly forced. But as his passions became heated, and the
difficulties of his situation increased, Mr. Pitt adopted all Mr.
Burke’s views, and the rash project of a _bellum internecinum_. Both the
public principles and the personal character of Mr. Fox were the subject
of daily calumnies; and the warmth of his early testimony in favour of
the French revolution was continually thrown in his teeth, after the
10th of August, the massacres of September, and the success of
Dumourier. But his whole conduct during this struggle was clear and
consistent. At the dawn of the revolution, he felt and spoke as a
citizen of the world; but he was the last man alive to have merged
patriotism in the vague generalities of universal benevolence. When his
own country became implicated in the strife, he no longer felt and spoke
as a citizen of the world, but as a British statesman; and endeavoured
to persuade his countrymen, not for French interests but for their own,
to stand aloof from continental politics, relying, for the maintenance
of a proud independence and dignified neutrality, on their insular
situation and their wooden walls. His advice was not listened to, and
his mind grew indisposed towards public business. He says in a letter,
dated April, 1795, “I am perfectly happy in the country. I have quite
resources enough to employ my mind, and the great resource of literature
I am fonder of every day.” After making a vigorous, but unsuccessful
opposition to the Treason and Sedition bills, he and his remaining
friends seceded from parliament. He passed the years from 1797 to 1802,
principally in retirement at St. Ann’s Hill; and they were the happiest
of his life. His mornings passed in gardening and farming, his evenings
over books and in conversation with his family and friends. During this
period, his attention was much given to the Greek Tragedies and to
Homer, whom he read not only with the ardent mind of a poet, but with
the microscopic eye of a critic. His correspondence with an eminent
scholar of the time was full of sagacious remarks on the suggestions and
explanations of the commentators, as well as on the text of the poem. At
this time also he conceived the plan of that history of which he left
only a splendid fragment in a state fit for publication. He had been
diligent in collecting materials, and scrupulous in verifying them. His
partiality for the Greek classics followed him into this pursuit, and
probably retarded his progress. He is considered to have taken for his
model Thucydides, a writer strictly impartial in his narrative, grave
even to severity in his style. He went to Paris with Mrs. Fox in the
summer of 1802, partly to satisfy their mutual curiosity after so long
an estrangement from the Continent, but principally for the purpose of
examining the copious materials for the reign of James II. deposited in
the Scotch college there.
Public-domain text, read in full here on John Shaqi.
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