The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
The authority which Bossuet acquired was such, that he may be said not
only to have guided the Gallican Church during his life, but in some
measure to have left upon it the permanent impression of his own
character. Of this authority no adequate notion can be formed from the
preceding sketch. Few even of his works, which fill twenty volumes
quarto, have been noticed. It should, however, be mentioned that he was
employed by Louis XIV. in an attempt to overcome the religious scruples
of James II., whose conscience revolted from that exercise of the
prerogative in favour of the Protestant Church, which his restoration to
the throne would have required. The laboured and somewhat extraordinary
letter which Bossuet wrote on this occasion is dated May 22, 1693.
His countrymen claim for Bossuet an exalted place among historians,
orators, and theologians. The honours bestowed by them on his
‘Introduction to Universal History’ have been continued by more
impartial judges; and, even when unsupported by reference to the age in
which it was written, it stands forth on its own merits as a noble
effort of a comprehensive and penetrating mind. His Funeral Orations
come to us recommended by the judgment of Voltaire, who ascribes to
Bossuet alone, of all his contemporaries, the praise of real eloquence.
The English reader will often be rewarded by passages, which in
oratorical power have seldom been surpassed, and which may induce him to
forgive much that is cold, inflated, and unnatural. But the Orations
must be considered also as Christian discourses delivered by a minister
of the Gospel from a Christian pulpit. They were composed, for the most
part, to grace the obsequies of royal persons, and are, in fact,
dedicated to the honour and glory of kings and princes. A text from
Scripture is the peg on which is hung every thing which can minister to
human pride, and dignify the vanities of a court; and the effect is but
slightly impaired by well-turned phrases, proper to the occasion, on the
nothingness of earthly things. But the orator is not content with
general declamation, with prostrating himself before his magnificent
visions of ancient pedigrees;—he descends to the meanest personal
flattery of the living and the dead. When the Duchess of Orleans was
laid in her coffin, her friends might hope that her frailties would be
buried with her; but they could hardly expect that a Christian monitor
should hold her forth as an exquisite specimen of female excellence, the
glory of France, whom Heaven itself had rescued from her enemies to
present as a precious and inestimable gift to the French nation. But on
this occasion Bossuet was not yet perfect in his art, or the subject was
not sufficiently disgraceful to draw forth all his powers. When
afterwards called to speak over the dead body of the Queen, whose heart
had withered under the wrongs which a licentious husband, amidst
external respect, had heaped upon her, he finds it a fitting opportunity
Public-domain text, read in full here on John Shaqi.
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