The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
was pillaged and razed, his property confiscated, and his life saved
only by his absence at Rome, whither he had been sent for the purpose of
propitiating the Pope. Highly disgusted at the treacherous conduct of
Boniface, who had been deluding him all the while with vain hopes and
honeyed words, he suddenly left Rome, and hastened to Siena. On his
arrival he heard that he had been charged with embezzling the public
money, and condemned to be burned, if he should fall into the hands of
his enemies. His indignation now reached its height; and in despair of
ever being restored to his native city except by arms, he repaired to
Arezzo, and united his exertions to those of the other Bianchi, who,
making common cause with the Ghibelines, formed themselves into an army
with the object of entering Florence by force. But their hopes were
disappointed; and after four years of abortive attempts they dispersed,
each in pursuit of his own fortune.
The noble, opulent citizen, the statesman and minister, the profound
philosopher, accustomed in all and each of these characters to the
respectful homage of his countrymen, was now, to use his own words,
“driven about by the cold wind that springs out of sad poverty,” and
compelled “to taste how bitter is another’s bread, how hard it is to
mount and to descend another’s stairs.” But the change from affluence to
want was not the worst evil that awaited the high-minded patriot in
banishment. For this he found compensation in the consciousness of
having done his duty to his country. But he suffered much more from
being mixed, and sometimes even confounded, with other exiles, whose
perverse actions tended to disgrace the cause for which he had
sacrificed all his private affections and interests. His misery was
carried to the utmost by a continual struggle between his nice sense of
honour and the pressure of want; by an excessive fear that his
intentions might be misunderstood, and a constant readiness to mistake
those of others. This morbid feeling he has pathetically expressed in
several passages, which can scarce be read without profound emotion.
Public-domain text, read in full here on John Shaqi.
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