The Gallery of Portraits: with Memoirs. Volume 2 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 2 (of 7)
Malkin, Arthur Thomas
Biography
The literary glory of Buffon, although surpassed, or even equalled,
during his life, by none of his contemporaries, with the exception
perhaps of Voltaire and Rousseau, has not increased, and is perhaps
materially diminished, after having been tried by the opinions of half a
century. In literature, as well as in politics, as we have learnt to
attach a greater value to accurate facts, have we become less captivated
by the force of eloquence alone. Buffon gave an extraordinary impulse to
the love of natural history, by surrounding its details with splendid
images, and escaping from its rigid investigations by bold and dazzling
theories. He rejected classification; and took no pains to distinguish
by precise names the objects which he described, because such accuracy
would have impeded the progress of his magnificent generalizations.
Without classification, and an accurate nomenclature, natural history is
a mere chaos. Buffon saw the productions of nature only in masses. He
made no endeavour to delineate with perfect accuracy any individual of
that immense body, nor to trace the relations of an individual to all
the various forms of being by which it is surrounded. Although he was a
profound admirer of Newton, and classed Bacon amongst the most
illustrious of men, he constantly deviated from the principle of that
philosophy upon which all modern discovery has been founded. He carried
onward his hypotheses with little calculation and less experiment. And
yet, although they are often misapplied, he has collected an astonishing
number of facts; and even many of his boldest generalities have been
based upon a sufficient foundation of truth, to furnish important
assistance to the investigations of more accurate inquirers. The
persevering obliquity with which he turns away from the evidence of
Design in the creation, to rest upon some vague notions of a
self-creative power, both in animate and inanimate existence, is one of
the most unpleasant features of his writings. How much higher services
might Buffon have rendered to natural history had he been imbued not
only with a spirit of accurate and comprehensive classification, but
with a perception of the constant agency of a Creator, of both of which
merits he had so admirable an example in our own Ray.
Public-domain text, read in full here on John Shaqi.
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