The Gallery of Portraits: with Memoirs. Volume 4 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 4 (of 7)
Malkin, Arthur Thomas
Biography
The following incident directed M. de l’Epée’s attention to the great
work which became the leading object of his life. It is said by M.
Bébian that up to this period he possessed no knowledge of the attempts
previously made for the instruction of the deaf, and we shall presently
give the Abbé’s own account of the first works on the art which came
under his notice. Business took him one day to a house where he found
only two young women; they were occupied in needlework which seemed to
engross all their attention. He addressed himself to them; they did not
answer, their eyes continued fixed upon their work. He questioned them
again, and still obtained no answer. At this he was much surprised;
being ignorant that the two sisters were deaf and dumb. The mother
arrived soon after, and explained to him with tears the nature of their
infirmity, and of her sorrow. An ecclesiastic, named Vanin, had
commenced the education of these young persons by means of pictures.
Death having taken away from them this charitable man they remained
without further assistance, no person being willing to continue a task
so difficult, and apparently so uncertain in its results. “Believing,”
says M. de l’Epée, “that these two children would live and die in
ignorance of their religion, if I did not attempt some means of
instructing them, I was touched with compassion, and told the mother
that she might send them daily to my house, and that I would do whatever
I might find possible for them.”
The pictures of Father Vanin he found to be a feeble and unsatisfactory
resource; the apparent successes obtained by means of articulation had
not solidity enough to seduce his philosophical mind. But he had not
forgotten that, at the age of sixteen, in a conversation with his tutor,
who was an excellent metaphysician, the latter had proved to him this
incontestable principle:—that there is no more natural connexion between
metaphysical ideas, and the articulated sounds which strike the ear,
than between these same ideas, and the written characters which strike
the eye. He also recollected that his tutor drew this immediate
conclusion from his premises,—that it was as possible to instruct the
deaf and dumb by writing, always accompanied by visible signs, as to
teach other men by words delivered orally, along with gestures
indicative of their signification. “How little did I then think,” says
M. de l’Epée, “that Providence was thus laying the foundation of the
work for which I was destined!” From that period he devoted himself
exclusively to the work which he had commenced, and while some people
smiled at his endeavours, he found in his occupation his chief
happiness. A respectable minister, after being present at one of his
lessons, said to him, “I formerly pitied you, I now pity you no longer;
you are restoring to society and to religion beings who have been
strangers to both.” The sanguine temperament and zeal of M. de l’Epée
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