The Gallery of Portraits: with Memoirs. Volume 5 (of 7)Malkin, Arthur Thomas
Religion
The Gallery of Portraits: with Memoirs. Volume 5 (of 7)
Malkin, Arthur Thomas
Biography
We learn from Evelyn’s Diary that Taylor was in London in the spring of
1637, and his visits, if not annual, were at least frequent. He made
many friends, and among them the Earl of Conway, a nobleman possessed of
large estates in the north-east of Ireland, who conceived the desire of
securing Taylor’s eminent abilities for the service of his own
neighbourhood, and obtained for him a lectureship in the small town of
Lisburne. Taylor removed his family to Ireland in the summer of 1658. He
dwelt near Portmore, his patron’s splendid seat on the banks of Lough
Neagh; and some of the islands in that noble lake, and in a smaller
neighbouring piece of water called Lough Beg, are still recorded, by the
traditions of the peasantry, to have been his favourite places of study
and retirement. To this abode his letters show him to have been much
attached.
In the spring of 1660 Taylor visited London, to superintend in its
passage through the press the ‘Rule of Conscience, or Ductor
Dubitantium.’ This, it appears from the author’s letters, was
considerably advanced so early as the year 1655. It was the fruit of
much time, much diligence, and much prayer; and that of all his writings
concerning the execution of which he seems to have felt most anxiety. In
this case, as it often happens, the author seems to have formed an
erroneous estimate of the comparative value of his works. Neither on its
first appearance, nor in later times, did the ‘Ductor Dubitantium’
become extensively popular. Its object, which even at the first was
accounted obsolete, was to supply what the Romish church obtained by the
practice of confession, a set of rules by which a scrupulous conscience
may be guided in the variety of doubtful points of duty which may occur.
The abuses are well known, to which the casuistic subtlety of the Romish
doctors gave birth; and it may be doubted whether it were wise to lay
one stone towards rebuilding an edifice, which the general diffusion of
the Scriptures, a sufficient rule, if rightly studied, to solve all
doubts, had rendered unnecessary. The work, in spite of its passages of
eloquence and profusion of learning, is too prolix to be a favourite in
these latter days, but it is still, says his biographer, (p. ccxciii.)
one “which few can read without profit, and none, I think, without
entertainment. It resembles in some degree those ancient inlaid
cabinets, (such as Evelyn, Boyle, or Wilkins might have bequeathed to
their descendants,) whose multifarious contents perplex our choice, and
offer to the admiration or curiosity of a more accurate age a vast
wilderness of trifles and varieties with no arrangement at all, or an
arrangement on obsolete principles, but whose ebony drawers and perfumed
recesses contain specimens of every thing that is precious or uncommon,
and many things for which a modern museum might be searched in vain.”
Public-domain text, read in full here on John Shaqi.
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