The Gallery of Portraits: with Memoirs. Volume 6 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 6 (of 7)
Malkin, Arthur Thomas
Biography
The established fame of Bramante now recommended him to Pope Julius II.,
who had formed the idea of uniting the old Vatican palace with the
Belvedere by means of a magnificent court, an engraving of which, as it
was first executed by Bramante, is to be seen in the public library
erected by the Corsini princes. The division of the court by the Vatican
library, subsequently erected by Sixtus V., and other additions and
alterations, have utterly destroyed the effect of Bramante’s design,
though the principal architectural features still remain. Among these,
in a lofty central pile of building, is a vast semicircular headed
niche, the archivolt of which springs from the cornices of two lofty
wing compartments, appearing, it must be confessed, more like the
section of an interior, than an external elevation. It is as if the
opposite walls in the length of a cathedral choir were taken away, the
grand altar recess being alone suffered to remain; and it may be
regarded as a very curious instance of a passion for the spherical
vault, which thus prompted Bramante to turn it, as it were, inside out;
and to take from the cellæ of the temples of Peace, and of Venus and
Rome, the idea of the garden alcove.
Bramante was now high in favour with Julius II.; and, having invented an
ingenious machine for stamping the leaden seals attached to the papal
bulls, was rewarded with the office “_del Piombo_.” He attended the Pope
to Bologna, when that city was united to the states pontifical in 1504,
and served his Holiness in the capacity of military engineer.
Our account of Bramante now resolves itself into the history of St.
Peter’s church, the antecedent progress of which may be thus briefly
stated:—
St. Peter being buried within the site of Nero’s Circus, Constantine
erected (A.D. 324) a magnificent church over the apostle’s remains.
During the lapse of eleven centuries, it fell into decay, and in the
pontificate of Nicholas V. (1450) a new building was commenced from
designs by Alberti. On the death of Nicholas, the works were
discontinued till Paul II. caused them again to proceed: but it must be
understood that the structure then in course of erection was in a great
measure mixed up with Constantine’s church, many remaining parts of
which were to be incorporated in the new building.
Public-domain text, read in full here on John Shaqi.
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