The Gallery of Portraits: with Memoirs. Volume 7 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 7 (of 7)
Malkin, Arthur Thomas
Biography
have occurred in this shape—a hundred on one side, and not one on the
other! The fact itself, and the tone in which it is recorded, disclose
what our philosopher would fain have concealed. We leave the moral
conduct of Hume in the spotless state set forth by his own description
of it, though we cannot forbear to remark that such language comes
somewhat strangely from a gentleman who had been so fascinated with the
manner of the Parisian fashionables under Louis XV., as to have thought
of never leaving them. We believe, however, that in his case, the
principal attraction of such society was its polish, and not its almost
incredible licentiousness. We learn, that in one of those gay
assemblies, Hume was induced to make his appearance in the character of
a Sultan, placed on a sofa between two of the most beautiful women in
Paris. It was his province to solicit the favours of these ladies, and
it was theirs to act the part of fair ones who were not to be subdued,
and in the dialogue, or rather trilogue, which lasted some quarter of an
hour, the author of the Treatise of Human Nature, and of the History of
England, acquitted himself, we are told, much to the edification of all
who were present[3]. In these moments of relaxation, the philosopher was
regarded as discovering his amiable sympathy with the ordinary feelings
of humanity. It does not appear to have occurred to him, or to his
flatterers, to consider the much stronger evidence of the want of such
sympathy, which was afforded by his approval of the system of government
which had so long spread its terrors and its wrongs over the length and
breadth of that splendid, miserable country. Our limits will not allow
of any reference to the particulars of the public dispute between Hume
and Rousseau, and we therefore abstain from expressing any opinion
respecting it.
Footnote 3:
‘Mémoires et Correspondance de Madame d’Epinay.’ III., 284, 285.
Public-domain text, read in full here on John Shaqi.
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