The Gallery of Portraits: with Memoirs. Volume 7 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 7 (of 7)
Malkin, Arthur Thomas
Biography
In the philosophical writings of Hume, the great element is scepticism.
He had many precursors in that sort of amusing speculation which tends
to throw doubt over received opinions; and which, as a natural effect of
human vanity, does so the more in regard to those notions which happen
to be retained most generally and with the greatest confidence. But
these limits did not satisfy the author of the Treatise of Human Nature.
The drift of his philosophy is to prove, not only that nothing _is_
known, but that nothing _can_ be known; that the human race are shut up
in the most entire ignorance, partly from the character of the objects
around them, but mainly from the very framework and nature of the human
understanding. Much ingenuity and acuteness was required to give any
plausible appearance to a theory so contrary to the natural impressions
of mankind, and Hume’s philosophical works afford evidence enough of the
sort of talent necessary to his object. But he well knew, that however
proper, and however felicitous it might be, to lay low the giant spirit
of dogmatism by such means, his own conclusions, in every instance of
importance, were hardly less dogmatic than those of his opponents, the
principal difference being, that the sources of _his_ assumptions were
somewhat more difficult to detect and expose. For what assumption can be
greater than that of a right to believe in all unbelief? In this case,
the very faculty that doubts must be a figment of vanity. The writer who
determines to assail everything, forces on mankind a suspicion of
caprice and insincerity, and is not likely to demolish anything. By
attempting less, Hume would have accomplished more; and he would not
then have called forth that array of philosophic power against himself,
which has done so much damage to his reputation in this department of
his labours. His miscellaneous Essays abound in valuable observations,
and are fine models of English composition. The manner in which he met
his death is the stock theme with the superficial, as illustrating the
power of philosophy. But the man of reflection may perhaps see as much
of the weakness of humanity in that event, as of the strength of
philosophy; and certainly he will not need to be told, that nothing can
be more delusive than the use generally made of such scenes.
Public-domain text, read in full here on John Shaqi.
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