The Gallery of Portraits: with Memoirs. Volume 7 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 7 (of 7)
Malkin, Arthur Thomas
Biography
It is not however as the philosopher, but as the historian, that Hume is
known to the majority of persons, both in this country and on the
continent. Those habits of close thought, and that careful use of
language, to which he had been so long accustomed in his philosophical
studies, qualified him, in a high degree, to treat the topics of history
with discrimination, simplicity, and clearness. The evil to be feared
was, that he would often allow the sprightliness of narrative to sink
into the dullness of disquisition; and that even his narrative would be
deficient in that selection of familiar anecdote, and in those
picturesque descriptions, which, while having little relation to the
great lessons of history, are certainly among its great attractions. But
it happens that the narrative of Xenophon himself is not more easy and
uninterrupted than that of Hume; nor has the former writer shown a
stronger disposition to dwell on domestic incidents, or to throw a
dramatic colouring over public occurrences, than the latter. Never did
any man bring so much of the power of abstruse thought to the writing of
history, and appear to be so much served and so little inconvenienced by
it. His station and intercourse in society added much of the feeling and
manners of the gentleman to the more grave attainments of the man of
learning, and tended to produce that combination of qualities, which
made his society at all times agreeable, and has thrown a nameless and
irresistible charm over his historical writing. His style was the result
of great elaboration, but has every appearance of being that which must
have been adopted without effort. It is open, indeed, in almost every
page, to much verbal criticism, no book perhaps of the same standing
being in this respect so vulnerable. But these lesser blemishes are
forgotten amid the many natural and delightful graces with which it is
adorned; graces which no one can help feeling, but which it would be as
difficult to describe as to imitate.
Public-domain text, read in full here on John Shaqi.
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