The Gallery of Portraits: with Memoirs. Volume 7 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 7 (of 7)
Malkin, Arthur Thomas
Biography
Scott’s metrical romances, as they were composed with unexampled
rapidity, commanded also unexampled prices from the booksellers. And at
the same time he found leisure for a variety of laborious works in
criticism, biography, and miscellaneous literature, which added
considerably both to his funds and his reputation. Among these were new
editions of the works of Dryden and Swift, with biographical accounts;
Sadler’s State Papers; Somers’s Tracts; Lives of the Novelists; besides
numerous contributions to encyclopædias, reviews, and other periodical
publications. His scheme of devoting himself to literature had borne
fruit of fame and profit beyond his brightest anticipations. His certain
income (we presume after the year 1812) is said by Mr. Pringle to have
exceeded 2000_l._: and he was supposed to double that sum by the
exuberant harvest of his brain.
“Amidst all this labour Scott found abundant leisure not only for his
official avocations, but for social enjoyment and rural recreation.
While the Court of Session was sitting, he lived in Edinburgh, in a good
substantial house in North Castle Street. During the vacations he
resided in the country, and appeared to enter with ardour into the
ordinary occupations and amusements of country gentlemen. After he was
appointed Sheriff of Selkirk he hired for his summer residence the house
and farm of Ashiesteil, on the banks of the Tweed; and here many of his
poetical works were written. But with the increase of his resources grew
the desire to possess landed property of his own, where he might indulge
his tastes for building, planting, and gardening. Commencing with
moderation, he purchased a small farm of about one hundred acres, lying
on the south bank of the Tweed, three miles above Melrose, and in the
very centre of that romantic and legendary country which his first great
poem has made familiar to every reader. This spot, then called Cartly
Hole, had a northern exposure, and at that time a somewhat bleak and
uninviting aspect: the only habitable house upon it was a small and
inconvenient farm-house. Such was the nucleus of the mansion and estate
of Abbotsford. By degrees, as his resources increased, he added farm
after farm to his domain, and reared his chateau, turret after turret,
till he completed what a French tourist not inaptly terms ‘a romance of
stone and lime,’ clothing meanwhile the hills behind, and embowering the
lawns before, with flourishing woods of his own planting. The
embellishment of his house and grounds, and the enlargement of his
landed property, became, after the establishment of his literary
reputation, the objects, apparently, of Scott’s most engrossing
interest; and whatever may be the intrinsic value of the estate as a
heritage to his posterity, he has at least succeeded in erecting a scene
altogether of no ordinary attractions, and worthy of being associated
with his distinguished name.”
Public-domain text, read in full here on John Shaqi.
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