The Gallery of Portraits: with Memoirs. Volume 7 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 7 (of 7)
Malkin, Arthur Thomas
Biography
“During the greater part of the summer and autumn he kept house at
Abbotsford like a wealthy country gentleman, receiving with a cordial,
yet courtly, hospitality, the many distinguished persons, both from
England and the Continent, who found means to obtain an introduction to
his enchanted castle. Anything more delightful than a visit to
Abbotsford, when Sir Walter was in the full enjoyment of his health and
spirits, can scarcely be imagined. After his morning labours, which,
even when busiest, were seldom protracted beyond mid-day, (his time for
composition being usually from seven to eleven or twelve o’clock,) he
devoted himself to the entertainment of his guests with so much
unaffected cordiality, such hilarity of spirits, and such homely
kindliness of manner, and above all with such an entire absence of
literary pretension, that the shyest stranger found himself at once on
terms of the easiest familiarity with the most illustrious man in
Europe.”
In the spring of 1820, Scott was created a baronet by George IV., as a
testimony of personal regard; and on the King’s visit to Scotland in
1822, he was appointed to superintend the arrangements for his Majesty’s
reception; an office gratifying to his national feelings and antiquarian
tastes, as well as to his aristocratical predilections.
The profusion of his expenditure no doubt had considerable effect in
strengthening the general belief that Scott was the author of the
Waverley Novels; inasmuch as he possessed no ostensible means from which
the sums expended in the purchase and improvement of Abbotsford, as well
as the liberal hospitality which he there exercised, could be defrayed.
His urbanity, his innate kindliness of nature, his unassuming demeanour,
and readiness to foster humble merit, had almost disarmed ill-will,
besides softening the asperity of party feelings; and men looked without
envy on a fortune which, to be the produce of one man’s literary labours
for the short space of twenty years, seemed almost beyond belief, as
well as beyond example, and acknowledged it to be deserved, without a
doubt of its continuance, or reality. In this belief, (for otherwise he
would have acted differently, being naturally a prudent man,) Scott
himself rested secure, until January, 1826, when the house of Constable
and Co. became bankrupt, at the close of that calamitous season which
pressed so heavily upon all branches of trade. He then, to use his own
words, found himself called on to meet the demands of creditors upon
commercial establishments with which his fortunes had long been bound
up, to the extent of no less a sum than 120,000_l._ How and why he was
led into so deep a confidence, and how far the prices received for his
works were connected with his commercial transactions, has never, we
believe, been clearly explained, nor does it much import the public to
know; the error, so far as his reputation is concerned, (and the only
Public-domain text, read in full here on John Shaqi.
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