The Galley Slave's Ring; or, The Family of Lebrenn: A Tale of The French Revolution of 1848 — John Shaqi
The Galley Slave's Ring; or, The Family of Lebrenn: A Tale of The French Revolution of 1848Sue, Eugène
History
The Galley Slave's Ring; or, The Family of Lebrenn: A Tale of The French Revolution of 1848
Sue, Eugène
France -- History -- February Revolution, 1848 -- Fiction
Mademoiselle Velleda Lebrenn sat by the side of her mother. So marked
was the girl's exceptional beauty that none could behold her without
being struck by its radiance. Her mien was at once proud, ingenuous and
thoughtful. Nothing more limpid than the blue of her eyes; nothing more
dazzling than her complexion; nothing loftier than the carriage of her
charming head, crowned with long tresses of brown hair that here and
there gleamed in gold. Tall, lithesome and strong without masculinity,
the sight and nature of the beauty explained the paternal whim that
caused the merchant to give his child the name Velleda, the name of an
illustrious heroine in the patriotic annals of the Gauls. Mademoiselle
Lebrenn could be readily imagined with her brow wreathed in oak leaves,
clad in a long white robe belted with brass, and vibrating the gold harp
of the female druids, those wonderful teachers of our forefathers who,
exalting them with the thought of the immortality of the soul, taught
them to die with so much grandeur and serenity! In Mademoiselle Lebrenn
the type was reproduced of those Gallic women, clad in black, with arms
"so wonderfully white and nervy," as Ammienus Marcellinus expresses it,
who followed their husbands to battle, with their children in their
chariots of war, encouraged the combatants with word and gesture, and
mingled among them in the hour of victory or of defeat, ever preferring
death to slavery and shame.
Those whose minds were not stored with these tragic and glorious
remembrances of the past saw in Mademoiselle Lebrenn a beautiful girl of
eighteen, coiffed in her magnificent head of brown hair, and whose
elegant shape outlined itself under a pretty high-necked robe of light
blue poplin, which set off a little orange cravat tied around her neat,
white collar.
While Madam Lebrenn was casting up her accounts and her daughter sewed,
occasionally exchanging a few words with her mother, Gildas Pakou, the
shop-boy, stood at the door. The youngster was uneasy and greatly
disturbed in mind, so very much disturbed that it never occurred to him,
as was otherwise his wont, to recite promiscuously favorite passages
from his beloved Breton songs.
The worthy fellow was preoccupied with just one thought--the strange
contrast that he found between the reality and his mother's promises,
she having informed him that St. Denis Street in general, and the house
of Monsieur Lebrenn in particular, were particularly quiet and peaceful
spots.
Gildas suddenly turned about and said to Madam Lebrenn in a high state
of alarm:
"Madam! Madam! Listen!"
"What is it, Gildas?" asked Madam Lebrenn, proceeding unperturbed to
make her entries in the large ledger.
"But, madam, it is the drum! Listen! Besides--Oh, good God!--I see some
men running!"
"What of it, Gildas," returned Madam Lebrenn; "let them run."
Public-domain text, read in full here on John Shaqi.
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