Transcribed from the 1913 William Heinemann edition by David Price, email
ccx074@coventry.ac.uk
THE GAME
CHAPTER I
Many patterns of carpet lay rolled out before them on the floor--two of
Brussels showed the beginning of their quest, and its ending in that
direction; while a score of ingrains lured their eyes and prolonged the
debate between desire pocket-book. The head of the department did them
the honor of waiting upon them himself--or did Joe the honor, as she well
knew, for she had noted the open-mouthed awe of the elevator boy who
brought them up. Nor had she been blind to the marked respect shown Joe
by the urchins and groups of young fellows on corners, when she walked
with him in their own neighborhood down at the west end of the town.
But the head of the department was called away to the telephone, and in
her mind the splendid promise of the carpets and the irk of the pocket-
book were thrust aside by a greater doubt and anxiety.
"But I don't see what you find to like in it, Joe," she said softly, the
note of insistence in her words betraying recent and unsatisfactory
discussion.
For a fleeting moment a shadow darkened his boyish face, to be replaced
by the glow of tenderness. He was only a boy, as she was only a girl--two
young things on the threshold of life, house-renting and buying carpets
together.
"What's the good of worrying?" he questioned. "It's the last go, the
very last."
He smiled at her, but she saw on his lips the unconscious and all but
breathed sigh of renunciation, and with the instinctive monopoly of woman
for her mate, she feared this thing she did not understand and which
gripped his life so strongly.
"You know the go with O'Neil cleared the last payment on mother's house,"
he went on. "And that's off my mind. Now this last with Ponta will give
me a hundred dollars in bank--an even hundred, that's the purse--for you
and me to start on, a nest-egg."
She disregarded the money appeal. "But you like it, this--this 'game'
you call it. Why?"
He lacked speech-expression. He expressed himself with his hands, at his
work, and with his body and the play of his muscles in the squared ring;
but to tell with his own lips the charm of the squared ring was beyond
him. Yet he essayed, and haltingly at first, to express what he felt and
analyzed when playing the Game at the supreme summit of existence.
"All I know, Genevieve, is that you feel good in the ring when you've got
the man where you want him, when he's had a punch up both sleeves waiting
for you and you've never given him an opening to land 'em, when you've
landed your own little punch an' he's goin' groggy, an' holdin' on, an'
the referee's dragging him off so's you can go in an' finish 'm, an' all
the house is shouting an' tearin' itself loose, an' you know you're the
best man, an' that you played m' fair an' won out because you're the best
man. I tell you--"
Public-domain text, read in full here on John Shaqi.
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