Africa, North -- Fiction; British -- Africa, North -- Fiction; Love stories; Married women -- Fiction
“Hadj can be happy now,” observed Batouch in a voice of almost
satisfaction, “for Irena is going to dance. Look! There is the little
Miloud bringing her the daggers.”
An Arab boy, with a beautiful face and a very dark skin, slipped on to
the platform with two long, pointed knives in his hand. He laid them on
the table before Irena, between the bouquets of orange blossom, jumped
lightly down and disappeared.
Directly the knives touched the table the hautboy players blew a
terrific blast, and then, swelling the note, till it seemed as if
they must burst both themselves and their instruments, swung into a
tremendous and magnificent tune, a tune tingling with barbarity, yet
such as a European could have sung or written down. In an instant it
gripped Domini and excited her till she could hardly breathe. It poured
fire into her veins and set fire about her heart. It was triumphant as a
great song after war in a wild land, cruel, vengeful, but so strong and
so passionately joyous that it made the eyes shine and the blood leap,
and the spirit rise up and clamour within the body, clamour for utter
liberty, for action, for wide fields in which to roam, for long days and
nights of glory and of love, for intense hours of emotion and of life
lived with exultant desperation. It was a melody that seemed to set the
soul of Creation dancing before an ark. The tomtoms accompanied it
with an irregular but rhythmical roar which Domini thought was like the
deep-voiced shouting of squadrons of fighting men.
Irena looked wearily at the knives. Her expression had not changed, and
Domini was amazed at her indifference. The eyes of everyone in the
room were fixed upon her. Even Suzanne began to be less virginal in
appearance under the influence of this desert song of triumph. Domini
did not let her eyes stray any more towards the stranger. For the moment
indeed she had forgotten him. Her attention was fastened upon the thin,
consumptive-looking creature who was staring at the two knives laid upon
the table. When the great tune had been played right through once, and a
passionate roll of tomtoms announced its repetition, Irena suddenly shot
out her tiny arms, brought her hands down on the knives, seized them and
sprang to her feet. She had passed from lassitude to vivid energy with
an abruptness that was almost demoniacal, and to an energy with which
both mind and body seemed to blaze. Then, as the hautboys screamed out
the tune once more, she held the knives above her head and danced.
Public-domain text, read in full here on John Shaqi.
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