Africa, North -- Fiction; British -- Africa, North -- Fiction; Love stories; Married women -- Fiction
Irena was not an Ouled Nail. She was a Kabyle woman born in the
mountains of Djurdjura, not far from the village of Tamouda. As a child
she had lived in one of those chimneyless and windowless mud cottages
with red tiled roofs which are so characteristic a feature of La Grande
Kabylie. She had climbed barefoot the savage hills, or descended into
the gorges yellow with the broom plant and dipped her brown toes in the
waters of the Sebaou. How had she drifted so far from the sharp spurs
of her native hills and from the ruddy-haired, blue-eyed people of her
tribe? Possibly she had sinned, as the Kabyle women often sin, and
fled from the wrath that she would understand, and that all her fierce
bravery could not hope to conquer. Or perhaps with her Kabyle blood,
itself a brew composed of various strains, Greek, Roman, as well as
Berber, were mingling some drops drawn from desert sources, which had
manifested themselves physically in her dark hair, mentally in a nomadic
instinct which had forbidden her to rest among the beauties of Ait
Ouaguennoun, whose legendary charm she did not possess. There was the
look of an exile in her face, a weariness that dreamed, perhaps, of
distant things. But now that she danced that fled, and the gleam of
flame-lit steel was in her eyes.
Tangled and vital impressions came to Domini as she watched. Now she saw
Jael and the tent, and the nails driven into the temples of the sleeping
warrior. Now she saw Medea in the moment before she tore to pieces her
brother and threw the bloody fragments in Aetes’s path; Clytemnestra’s
face while Agamemnon was passing to the bath, Delilah’s when Samson lay
sleeping on her knee. But all these imagined faces of named women fled
like sand grains on a desert wind as the dance went on and the
recurrent melody came back and back and back with a savage and glorious
persistence. They were too small, too individual, and pinned the
imagination down too closely. This dagger dance let in upon her a larger
atmosphere, in which one human being was as nothing, even a goddess or
a siren prodigal of enchantments was a little thing not without a narrow
meanness of physiognomy.
She looked and listened till she saw a grander procession troop by,
garlanded with mystery and triumph: War as a shape with woman’s eyes:
Night, without poppies, leading the stars and moon and all the vigorous
dreams that must come true: Love of woman that cannot be set aside, but
will govern the world from Eden to the abyss into which the nations fall
to the outstretched hands of God: Death as Life’s leader, with a staff
from which sprang blossoms red as the western sky: Savage Fecundity that
crushes all barren things into the silent dust: and then the Desert.
Public-domain text, read in full here on John Shaqi.
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