After tea we mounted to the drawing-room, which was over the shop
and faced the street. It was usually occupied only on Sundays and
feast-days, or when a visiting Methodist minister had been apportioned
to my grandmother for entertainment. Faded engravings of sacred subjects
and simpering females elaborately framed, hung upon the walls. On the
mantelshelf stood some quaint specimens of Ransby china--red-roofed
cottages with grapes ripening above the porch, and a lover coming up
the path while his lady watched him from the window. The chairs were
upholstered in woolwork on canvas, which my grandmother had done in
her youth. In one corner stood a heavy rosewood piano on which all the
family portraits were arranged. In this room comfort was sacrificed to
appearance--the furniture was sedate rather than genial. Nothing was
haphazard or awry. The mats and antimacassars never budged an inch from
their places. No smell of beer, or cheese, or baking bread vulgarized
the sacred respectability of its atmosphere.
Here, as we sat together talking, the light began to fade. Heavy
footsteps of sailors in their sea-boots, passing down the street from
the harbor to the cottages, only emphasized the quiet. We watched the
sky grow pink behind the masts of shipping, then green, then gray.
Cordage and rigging were etched distinctly against the gloom of the
oncoming night. At the top of the street a light sprang up, then
another, then another. The lamp-lighter with his long pole and ladder
passed by. Now with the heavy tread of men’s feet the tip-a-tap of
girls’ footsteps began to mingle. Sometimes a snatch of laughter would
reach us; then, as if afraid of the sound it made, it died abruptly
away. While we talked in subdued voices, it seemed to me that all the
sailor-lovers with their lassies had conspired to steal by the house
that night. I fell to wondering what it felt like to slip your arm about
the waist of a woman you loved, feel her warmth and trust and nearness,
feel her head droop back against your shoulder, see her face flash up
in the starlight and know that, while your lips were trembling against
hers, she was abandoning herself soul and body to you in the summer
dusk.
Dorrie had crept into her mother’s lap. Her soft breathing told that she
was sleeping. One small hand, with fingers crumpled, rested against her
mother’s throat. Someone had called to see Grandmother Cardover, so Vi,
Ruthita, and I were left alone together. Sitting back in our chairs
out of reach of the street-lamp, we could not see the expression on one
another’s faces.
“I would give all the world to be you, Mrs. Carpenter,” Ruthita
whispered.
“To be me! Why? I sometimes get very tired of it.”
“If I were you I should have Dorrie. It must be very sweet to be a
mother. Why is it that she always calls you Vi and never mother?”
“She picked that up from her father. I never corrected her
because--well, because somehow I like it. It makes me seem younger.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account