One morning, it seemed the one on which I had planned to sail, I awoke
in a strange room. I knew it was strange because the sun was pouring in
across the bed, and the sun never looked through my window at the
Misses Januaries’ till late in the afternoon. Something wet was on my
forehead--a kind of bandage that came down low across my eyes almost
preventing me from seeing anything. This set me wondering in a slow,
thick-witted manner.
I did not much care how I came to be there--I felt effortless and
contented; yet, in a lazy way, my mind became interested. I lay still,
piecing together little scraps of happenings as I remembered them. The
last thing I could recall that was rational was my attempting to get out
of bed. Then came vague haunting shapes, too sweet and too horrible
for reality--things which refused to be embodied and remained mere
atmospheres in the brain, terrors and delights of sleep which slowly
faded as the mind cleared itself.
I pulled my hand from under the sheets and was surprised at the effort
it took to raise it to my forehead. I heard the rustle of a starched
skirt: it was the kind of sound that Hetty used to make in my childhood,
when she came to dress me in the mornings and I pretended that I still
slept. I used to think in those days that it was a stern clean sound
which threatened me with soap and chilly water. Someone was bending over
me; a cool voice said, “Don’t move, Mr. Cardover. I’ll do that.”
The bandage was pushed back and in the sudden rush of light I saw a
young woman in a blue print-dress, standing beside my pillow. I tried
to speak to her, but my mouth was parched and my voice did not make the
proper sound.
“Don’t try to speak,” she said; “you’ve been sick, you know. Soon you’ll
feel better.”
I stopped trying to talk and obeyed her, just as I used to obey Hetty.
At the back of my mind I smiled to myself that I, a grown man, should
obey her; she looked such a girl. After she had put water to my lips and
passed a damp cloth over my face and hands, she nodded pleasantly and
went back to her seat by the window.
No--until now I had never seen this room. The walls were covered in
cherry-colored satin, which was patterned in vertical stripes, with
bunches of flowers woven in between the lines. All the wood-work was
painted a gleaming white. Chippendale chairs and old-fashioned delicate
bits of furniture stood about in odd corners. Between the posts of the
big Colonial bed I could see a broad bay-window, with a seat going round
it. Across the panes leafless boughs cast a net-work of shadows, and
through them fell a bar of solid sunlight in which dust-motes were
dancing by the thousand. Half-way down each side of the bed screens were
standing, so that I could only see straight before me and a part of the
room to the left and right beyond where they ended.
Public-domain text, read in full here on John Shaqi.
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