Pesaro leaps to his feet, but the Pope, as though to pacify him, pledges
him and hands the goblet to the masked woman to offer to him. Still
standing uncertain, Pesaro receives it from her. Raising it slowly, his
lips touch the brim; he clutches at his throat, upsetting the cup so
that the red stain flows towards Lucrezia. He leans out, gazes in her
eyes, and crashes across the table, twisting as he falls, still looking
up at her.
The silence that follows is broken by a low rippling laugh. The company
gaze in astonishment; it is Lucrezia who is laughing. The child in her
face is dead; her expression is inscrutable, wicked and sirenish. She
sways towards Biseglia, bending back her head and twining her arms about
him. “Hath the Pope’s daughter a deformity that thou canst not love her?
Behold, thou shalt judge. She will dance and dance, till she dances thee
into rapture and thy soul is poured out upon her.”
From the hand of a servitor she snatches a torch and steps into the
open. She commences to dance and, as she dances, unbuckles her girdle
so that her gown slips from her. As the beat of the music grows more
furious she unbinds her hair, so that it writhes like snakes about her
firm white arms and bust. Dwarfs clamber into trees and slide out along
their branches, raining rose-leaves on her as she passes. The strangely
attired company forget their jaded decadence and sprawl across the
table, digging their elbows into its scattered magnificence, following
the gleam of her young, white body as it twists and turns beneath the
whirling torch.
But her gaze is bent always on Biseglia; her eyes are aslant and
beckoning. Her bosom rises and falls more fiercely with the wrenching
in-take of the breath. Will he never go to her?
She flings back her hair from her shoulders; her body flashes like an
unsheathed sword. Nearer and nearer to him she dances. His eyes rest
on her moodily, half-closed. Does he make a movement, quickly she
withdraws.
She has flung away her torch and is spinning madly with her hands
clasped behind her head. The grass is hidden with rose-leaves; she
floats--her feet scarcely stir them. Suddenly she stops; stands erect
for an ecstatic moment; sways dizzily; her strength is gone. Her hands,
small and pitiful, fly up to cover her eyes. She shakes her hair free to
hide her. Her body crumples. She is broken with her shame and futility.
Biseglia leaps the table and has her in his arms as she falls, pressing
his hot lips against hers. With clenched fists she smites him from her,
slips from his embrace, and runs shimmering like a white doe through the
forest of blackness.
With a shout the revelers shatter the banquet and pour in pursuit of
her. Biseglia leads them, darting ahead into the shadows. Dancing and
singing, the disheveled bacchanalians stagger across the dark, trouping
along dusky terraces with twining arms, following the fleeing dryad.
Public-domain text, read in full here on John Shaqi.
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