But she gave me no sign that she had either seen or heard from me. What
else could I expect? How could I explain my infatuation even to myself,
let alone to her, as more than physical attraction? And was it more?...
Once she had offered me far more than I now begged; I had churlishly
refused it. How could I account to her for my altered valuation of her
worth? She would not answer--I knew that now. I should have to compel
her attention.
Next morning in reading the papers I came across her name frequently.
She was the madcap darling of Paris; every edition contained some
anecdote of _La Fiesole_ and her erratic doings. One item captured my
interest especially: there was a certain café in the Champs Elysées to
which she went often after theatre hours. For the time being she had
made it the most fashionable midnight resort in Paris.
That night, having bribed heavily for the privilege, I was seated at a
table near the entrance. If she came, she could scarcely pass without
seeing me. The place was an _al fresco_ restaurant, gorgeously
theatric. It stood in a garden, brilliantly romantic and insincere as
a stage-setting. Overlooking the garden were white verandahs,
creeper-covered and garish with hothouse flowers; throughout it were
scattered kiosks and bowers in which the more secret of the diners
sat. The plumed trees were knit together with ropes of lights, like
pearl-necklaces which had been tossed into their branches casually. In
bushes and hidden among blossoms, glow-worm illuminations twinkled, like
faeries kindling and extinguishing their lamps. Everything was subdued
and sensuous. Fountains played and splashed. Statues glimmered. A gipsy
orchestra, fierce-looking and red-coated, clashed frenzied music, which
sobbed away into dreamy waltzes and elusive snatches of melody. The
effect was bizarre--artistically unreal and emotionally tropic.
Here one might experience a great passion which consumed by its panting
brevity; everyone seemed present for the express purpose of realizing
such a passion.
At tables seated in couples were extraordinary people, dressed to
play their part in a dare-devil romance. Here were men who looked like
Russian Archdukes, bearded, bloodless, and insolently languid. Sitting
opposite them were voluptuous women, tragically exotic, dangerously
coaxing, with the melodramatic appearance of scheming nihilists.
They were reckless, these costly, slant-eyed odalisques--exiles from
commonplace kindliness, born gamblers for the happiness they had thrown
away and would never re-capture. There was the atmosphere of intrigue,
of indiscreet liaison about almost every couple. They acted as though
for one ecstatic moment the world was theirs. Their behavior was
everything that is exaggerated, fond, undomestic, and arrogantly
well-bred.
Public-domain text, read in full here on John Shaqi.
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