The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
General
The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
By this time they were both in a state of super-exaltation. When Paul’s
fingers fell from the keyboard the old man, with the tears streaming
down his face, cried out, “Boy! boy! mon Dieu! mon Dieu! Who taught you
that?” He threw his arms around him and kissed him, French fashion, on
both cheeks.
“Come with me,” he continued. “Come home and dine with me. I want you to
know my girl, my Julie. I want you to play my piano, a wonderful piano.”
There was no resisting the impetuous enthusiasm of the old organist, and
before Paul was aware he found himself accepting this invitation to
dinner and on his way to the organist’s home. And as they walked they
talked, and talked music only.
“Who taught you your music?” inquired the old organist. “Your father? He
must have been a great artist.”
“It was my mother made me practise,” said Paul. “And to her I owe any
skill I have upon the piano. But my father was an artist. He had the
thing in his soul, and though he never professed to be a great player I
think now he must have had the gift of music. It was he that taught me
to play the music of the streams, of the wind in the trees, of the
sunset, and of the stars. He himself used to play these things to my
mother and me, when the mood was on him.”
“Ah!” cried the old organist. “That is true teaching. That is high art,
and there is no other. Oh, these teachers of today, and in this city!
Atrocious! Atrocious! Murderers of music! Philistines! Barbarians! One,
two, three, one, two, three; tum, tum, tum, tum, tum, tum! A diploma at
the end of a year, or at most of two years! Public performers after
another year! Gilmour’s Grand March, Smith’s March to Moscow, Jones’
Storm at Sea—oh, it is terrible! It is terrible!”
Their way home took them a long walk through the suburbs of the city.
There, hard against the heights overlooking the city, Paul found a
little house snugly ensconced in the shadow of a great rock and
surrounded with a garden riotous with late blooming flowers.
“Oh, what a garden!” he exclaimed. “And what lovely flowers! My mother’s
flowers!”
“Ah!” exclaimed the old man. “Your mother’s flowers? Good! These are my
Julie’s flowers, the dear girl. There is the artistic soul. I will show
you some of her work. Some day she will be a great artist. Some day I
shall take her to see the great world galleries. Come in, Mr. Paul, come
in.” He threw open the door and swept Paul in with an old world bow.
“Welcome to my humble abode! Welcome to my home! Julie! Julie!” he
cried.
In response to his call a girl came running out of the door. Tall she
was and slight, the plainness of her face redeemed and glorified by
wonderful dark eyes. A girl in face and expression, though in years she
had long passed the period of girlhood.
“You are very late, Papa,” she exclaimed “and very naughty indeed. You
must be tired and hungry.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account