The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
General
The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
“My dear, my dear, what matter? We have had a glorious morning, my
friend and I. Ah! This is my friend, Mr. Paul—” he hesitated—“your other
name?”
“Gaspard.”
“Ah! Gaspard! Mr. Paul Gaspard. French, my dear, French. That is where
he gets his music. French, of course!” The old gentleman was much
delighted. “Mr. Gaspard, my daughter Julie. A wonderful young man this,
Julie. Now we must hasten through dinner in order that we may have some
music.”
But Julie would have none of this. “Papa,” she said severely, “you must
at once go and prepare yourself for dinner. Show Mr. Gaspard to your
room. And then we shall sit down and quietly enjoy our Sunday dinner,
and we shall take full time to it too.”
“Ah! Julie, you are so material. You are so much of this world.”
“It is well for you that somebody is material and of this world. But run
away and get ready.”
It said much for Julie’s housekeeping powers that the unexpected
appearance of a guest in that small family produced no apparent
embarrassment. The dinner was simple, and, to a young man fresh from the
ranges, not too substantial, but quite sufficient for the old organist,
who picked daintily at his food, and for his daughter.
Her father was full of his discovery of Paul, much to the latter’s
embarrassment, who protested that he was not a musician and assured
Julie that he played the piano but a very little.
“Ah, but some day!” cried the old organist. “Some day you will be a
great artist on the organ. I see it in your fingers, I see it in your
face, I see it most of all in your Spring Song. Ah! Julie, he will play
for you his Spring Song.”
But Julie insisted that the subject of music should be banished from the
dinner table. “If my father talks music,” she said in explanation to
Paul, “he cannot and will not eat. Therefore we must talk something
else, even the weather. But no more music till dinner is over.” And this
she achieved by skilfully turning the conversation now to one subject,
now to another, and most successfully when she beguiled Paul into
telling the story of his experiences of the past summer. Beyond that he
would not go. His reticence also extended to his plans for the future.
In regard to what he meant to do he expressed himself in vague
generalities, and his hosts were much too well bred to show any
curiosity on the subject.
Dinner over, the old gentleman was relentlessly hailed away by his
daughter to an hour’s rest. “You know, Papa, you have your evening
service and you must have your rest to be ready for it. My father is not
strong,” she explained to Paul, “and therefore he needs to be cared for
like a baby.”
“Ah, Mr. Gaspard,” said her father, “she is a hard taskmaster. She is
one to be obeyed. She rules me with a rod of iron. I shall leave you.
There is the piano, and I beg you to consider yourself as in your own
home.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account