The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
General
The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
“Yes, Mr. Gaspard,” said Julie, “we shall treat you like one of the
family and leave you to yourself. My father must have his sleep, and for
me there are my household duties waiting.”
“And I will not disturb you if I play?” said Paul to the old gentleman.
“Not at all. I shall the more easily fall into sleep.”
And so there followed for Paul an hour of perfect bliss. The piano was a
magnificent Broadwood, of exquisite tone and in perfect tune. And to
Paul, who had not touched a piano worthy of the name for more than six
years, this opportunity was as cold water to a thirsty soul.
Ever and anon Julie flitted in and out of the room, intent upon her
duties, now throwing in a word of appreciation and again suggesting one
of her favourite bits for Paul’s playing. When her work was finished she
came into the room and, drawing Paul away from his piano, by the charm
of her conversation led him far afield into regions hitherto unknown to
him. She talked of books whose titles he had never known, she talked of
great pictures by masters of whom he had never heard; but when she
talked of nature and its secrets, of the mountains and rivers, she found
in Paul a kindred soul, alive to the beauty and glory of the great
outside world. She had never seen the Windermere, and she led Paul to
picture for her the scenes that lay about his childhood’s home and to
tell her of his father’s work in spreading them on canvas.
“And your father’s pictures?” she inquired. “Where are they?”
“Many of them,” he said, “I have left at Pine Croft—our home, you know,
in Windermere. But a number of them I have brought with me. I should
like to show them to you.”
“Oh, do,” she cried. “Will you bring them to me? I should like to see
them.”
It was late afternoon when her father appeared, ready for music and for
more music. But with delicate tact she made Paul feel that it was her
desire that the old gentleman should not be unduly excited but that he
should save his full strength for his evening service. Thereupon Paul
took his leave, promising himself the pleasure of hearing the old
musician once more at the church that evening. “And afterwards come home
with us.” To this Paul eagerly agreed.
The boarding house which late on Saturday night, upon his arrival in the
strange city, Paul had stumbled upon had but one redeeming feature, it
was cheap. The rooms were ill kept, the table service was dirty, the
boarders were noisy and ill-mannered, and the keeper of the house was
overworked and consequently unsympathetic to the wants of her guests. As
Paul was passing up the dark and filthy staircase to his room a young
man came lounging out of his bedroom and stumbled down, the stairs,
lurching heavily against Paul.
“I beg your pardon,” he said. “I didn’t see you.”
“All right,” said Paul. “It is dark, isn’t it?”
Something in his voice arrested the young fellow. “You are a new boarder
here?” he said.
“Yes. I came last night. My name is Gaspard.”
Public-domain text, read in full here on John Shaqi.
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