The Gaspards of Pine Croft: A Romance of the Windermere — John Shaqi
The Gaspards of Pine Croft: A Romance of the WindermereConnor, Ralph
General
The Gaspards of Pine Croft: A Romance of the Windermere
Connor, Ralph
British Columbia -- Fiction; Canadian fiction -- 20th century
Sooner death to her, to him, and, as for the Indian and her child, to
them death a thousand times. He wiped the sweat from his face and stood
gazing about him. How changed the whole world was within a brief two
hours’ space! The same mountains, trees, river, sun and sky, yet to him
all seemed flooded with a new light, lurid and awesome. Yet it was not
his sin, but the dread terror of detection, of its consequences, that
had wrought this change in his world. He could not keep his wife’s face
out of his mind. Her dark blue reproachful eyes, sad and
horror-stricken, were holding him in relentless grip. He dreaded facing
her. His artistic and highly emotional temperament, his power of vivid
imagination, gave living reality to the picture. He flung his hands
again high above his head.
“God in Heaven, this is madness!” he exclaimed. “Madness, sheer, fool
madness! She will never know. How can she know?”
He shivered and stamped, as if smitten with mid-winter cold. He glanced
about him. A warm and sunny ledge of rock carpeted with moss and pine
needles invited him. He threw himself down upon it, pulled out his pipe,
deliberately filled it from his pouch and struck a match. The flame
shook in his fingers. He cursed himself for a fool. He was acting like a
frightened child. He raged at himself and his weak folly. He must take a
grip of himself. His pipe helped him to a more normal mood. The mere
performance of the familiar physical act of sucking in and exhaling the
smoke helped him. He held up his hand before him. The discovery that his
hand was no longer shaking helped him. He stretched himself at full
length upon the sunny ledge and let his eyes wander over the scene
spread out before him. Unconsciously, the wild, wide, lonely beauty of
the landscape reached his soul and quieted him. His artist’s eye began
to select, group, compose into a picture, the elements in this wonder
world before him. The very tensity of his nervous condition aided him.
His mind was working with swift constructive power.
“Lord! What a light! What colour!” he said, as his eye rested upon the
rich deep purple in the hollows of the hills on the far side of the
valley. He longed for his brushes. His fingers dived into the pocket of
his jacket for his sketch book, without which he never walked abroad. In
another moment he was deep in his work, sketching with swift, sure
fingers, filling in the outlines, noting the colours, the lights, the
shadows, the fall of foothills from the great mountain peaks, the
serried lines of the pines at the horizon, the broad silver ribbon of
the river, the tawny gold of the grassy levels. He had an hour of
absorbing delight in his work.
“There! Never did anything finer!” he exulted. He rapidly reviewed his
work, re-touching, emphasising, correcting.
“I’ll get that into colour at once,” he muttered, thrusting his book
into his pocket. The act recalled him to the grim reality of his
situation.
Public-domain text, read in full here on John Shaqi.
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