The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at GlastonburyBond, Frederick Bligh
Religion
The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at Glastonbury
Bond, Frederick Bligh
Glastonbury Abbey -- Miscellanea; Parapsychology and archaeology -- England -- Glastonbury -- Case studies; Spirit writings
[3] _Cf._ Leland's _Itinerary_. "Abbate Beere buildid Edgares Chapel at
the Est End of the Chirch, but Abbate Whiting performed sum part of it."
[Illustration: FIG. 2.--PROFESSOR WILLIS'S PLAN.]
Professor Willis's conjecture represents the largest or most liberal
interpretation yet placed by any antiquary upon the passage from
Leland--which, it may be said, is the only known contemporary evidence
of this work of the last two Abbots.
Parker,[4] who reviewed the whole subject of the plan in his work
for the Somerset Archæological Society (see his article in their
_Proceedings_ for 1880), does not support Willis's conclusions,
inclining rather to the view that the Edgar Chapel was in the south
transept, to the east of the _nave_, but it is within the writer's
knowledge that Professor Freeman believed that the original quire,
which, before Monington's addition of a fifth and sixth bay, must
have been shorter by some 39 feet, was furnished with a large eastern
chapel, probably a Lady-chapel, and that this may have been of quite
considerable dimensions and even co-extensive in total length with the
plan as given by Willis. But this view does not appear to have gone
farther than a mere expression of opinion verbally given at a meeting
in the Abbey, and the writer only heard it quoted as a reminiscence
some time after the discovery of the Edgar Chapel.
[4] See paper by James Parker, M.A., in 1880 volume of _Som. Arch.
Proc._, p. 101, where he says, speaking of the Edgar Chapel: "The
question is, What did Leland mean by the 'est end of the chirch'? Does
he mean the choir? Of course, I cannot say that he does not. But there
are two considerations. The first is the view preserved by Stukely,
taken by his friend Mr. Strachey before the Abbot's House was pulled
down, and, as I understand it, some few years before 1723. In this a
larger portion of the second chapel in the south transept remains than
now, and it is lettered 'Edgar Chapel.' He seems to have obtained his
name from hearsay, and possibly no importance ought to be attached
to the tradition by itself. The other consideration seems to me more
worthy of attention, and may perhaps support the tradition, where it
is said in the next paragraph which Leland gives in reference to Abbot
Bere, that he 'arched' on both sides, the east part of the church."
Parker proceeds to argue that this arching probably refers to the east
end _of the nave_, not of the choir, and that if so, then Edgar's
Chapel belongs to the same work, and would thus be connected with the
transept also. "And there," says Parker, "it is placed in the only
engraving which gives the name." "On the whole," he concludes, "I think
it must be left an open question as to what Abbot Bere built; at least,
that the evidence is not sufficient to justify putting Edgar's Chapel
_at the east end of the choir_."
Public-domain text, read in full here on John Shaqi.
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