The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at GlastonburyBond, Frederick Bligh
Religion
The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at Glastonbury
Bond, Frederick Bligh
Glastonbury Abbey -- Miscellanea; Parapsychology and archaeology -- England -- Glastonbury -- Case studies; Spirit writings
[9] The ancient "Book of Melchin" (now lost), quoted by John of
Glaston, says of Joseph of Arimathea: "Amongst them Joseph of Marmore,
named of Arimathea, receives perpetual sleep; and he lies in _linea
bifurcata_ near the south corner of the Oratory which is built of
hurdles." "Linea," according to Ducange, means "an under-garment,"
and "bifurcata" would denote one slit at the sides like a shirt or
dalmatic. But our script seems to suggest rather "a fork in the paths"
as the place where Joseph lay.
[Illustration: FIG. 4.--THE PLAN OF THE ABBEY CHURCH WITH THE EDGAR
CHAPEL TO THE EAST (LEFT HAND).
NOTE.--The drawing has all the marks of a blindfold tracing. The
line is continuous, commencing at A, and the north transept is first
drawn, very small. Next the line runs east, and the north-east angle
of the retro-quire is traced, and, following this, the Edgar Chapel,
extending east for about half the length of the quire. Here the line
is drawn three times over, as though to emphasise the feature, and
it then returns over the old ground, the north transept being again
drawn, but larger and further removed, and the whole outline of the
church is completed, to the junction south-west of the Edgar Chapel,
ending with the signature GULIELMUS MONACHUS (William the Monk).]
_Q._ (_by F.B.B._). "_What does this drawing represent?_"
_A._ "Guest Hall ... St. Maria Capella ... Rolf monachus."
The first drawing was now examined, and both F.B.B. and J.A. expressed
a view unfavourable to the possibility of so large a chapel at the east
of the church. It was resolved to try again.
F.B.B. "_Please give us a more careful drawing of the chapel sketched
just now at the east end of the great church._"
In reply, a new sketch of the rectangular chapel was given (see Fig.
5), with an attempt to indicate the position of two smaller chapels on
the north. Again the line was drawn double, and below was written the
following, in cramped characters not easy to decipher:
"Capella St. Edgar. Abbas Beere fecit hanc capellam Beati Edgari ...
martyri et hic edificavit vel fecit voltam ... fecit voltam petriam
quod vocatur quadripartus sed Abbas Whitting ... destruxit ... et
restoravit eam cum nov ... multipart ... nescimus eam quod vocatur.
"Portus[10] introitus post reredos post altarium quinque passuum
et capella extensit 30 virgas ad orientem et (? viginti)[11] in
latitudine cum fen (?) ... (?)."
[10] For mediæval use of the masculine form "portus" for "porta" see
Lobinell, _Hist. Brit._, ii. 872. "Ante suum introitum fecit idem
novus dux primum juramentum in introitu variere portus illius urbis
vocati vulgariter Portus de Morzellos." Also in O.E. (Anglo-Saxon
Psalter) "on portum" = "in porta."
[11] A doubtful measure (see pp. 27 and 63). The writing was very weak
and unsatisfactory, as though the force were waning.
F.B.B. "_Please repeat; we cannot read this._"
Public-domain text, read in full here on John Shaqi.
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