Produced by Delphine Lettau, David Clarke, Mary Meehan and
the Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)
The Gateless Barrier
By LUCAS MALET
NEW YORK
DODD, MEAD & COMPANY
1900
_Copyright, 1900_, by
DODD, MEAD AND COMPANY
UNIVERSITY PRESS
JOHN WILSON AND SON
CAMBRIDGE, U.S.A.
_Preface_
"What is the book?"
"According to the Japanese pronunciation of the Chinese characters of
the title, we call it _Mu-Mon-Kwan_, which means 'The Gateless Barrier.'
It is one of the books especially studied by the Zen sect, or the sect
of Dhyâna. A peculiarity of some of the Dhyâna texts--this (story) being
a good example--is that they are not explanatory. They only suggest.
Questions are put, but the student must think out the answers for
himself. He must _think_ them out but not write them. You know that
Dhyâna represents human effort to reach, through meditation, zones of
thought beyond the range of verbal expression; and any thought narrowed
into utterance loses all Dhyâna quality.... Well, this story is supposed
to be true; but it is used only for a Dhyâna question...."
LAFCADIO HEARN.
"_Exotics and Retrospectives," pages 83, 84._
_The Gateless Barrier_
I
Laurence leaned his arms upon the broad wooden hand-rail of the
bulwarks. The water hissed away from the side. Immediately below it was
laced by shifting patterns of white foam, and stained pale green,
violet, and amber, by the light shining out through the rounds of the
port-poles. Further away it showed blue black, but for a glistening on
the hither side of the vast ridge and furrow. The smoke from the funnels
streamed afar, and was upturned by a following wind. The great ship
swung in the trough, and then lifted--as a horse lifts at a fence--while
the seas slid away from under her keel. As she lifted, her masts raked
the blue-black night sky, and the stars danced in the rigging.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account