Meanwhile the young lady's hands moved over the rounded cover of the
escritoire as though endeavouring to open it. The lace frills, edging
her muslin cape, flew upwards, showing her bare arms. These were thin,
but beautifully shaped; while the movement of her hands was singularly
graceful and rapid. She touched, yet seemed unable firmly to grasp the
gilded handles of the escritoire again and again; clasped her hands, as
it appeared to Laurence--for her back was still towards him--with a
baffled, despairing gesture, and then moved away across the room. She
appeared to flit rather than walk, so light and silent were her steps,
bird-like in their swift and dainty grace. Watching her, Laurence was
reminded of a certain Spanish _danseuse_, who, during the previous
winter, had excited the wild enthusiasm and considerably lightened the
pockets of the _jeunesse dorée_ of New York. But the charm of the
dancer had, for him at least, been spoilt by the somewhat unbridled
pride of success perceptible in her bearing. Whereas the flitting figure
now before him, notwithstanding the beguiling loveliness of its motions,
struck him as penetrated with the sorrow of failure, rather than the
arrogance of success.
She wandered to and fro, regardless or unconscious of his presence,
searching--searching--as it seemed; passing her hands over the
work-table, sweeping them along the surface of the chimney-piece between
the ornaments and china, fingering the music upon the piano. He caught
sight of a delicate profile, a round and youthful cheek. But her
movements were so anxious and rapid that he could get no definite view
of her face. Indeed, her action was so quick that it was not without
effort Laurence followed it.
At first the young man's attitude had been one of slightly irritated
amusement at the concealment practised on him by his host. But as the
rose-clad lady's search continued, the sense of amusement was merged in
one of sympathy. She was so graceful a creature. She appeared so sadly
baffled and perplexed. A subtle anxiety laid hold of him--an
apprehension that something momentous and of far-reaching consequence to
himself was in act of accomplishment--that he was himself deeply
involved, and pledged by a long train of antecedent circumstances to
assist those delicately framed and apparently so helpless hands in their
unceasing search.
"Pardon me, but what have you lost?" he asked her at last, speaking
gently as to a timid and unhappy child. "Tell me, and let me try to help
you find it."
Public-domain text, read in full here on John Shaqi.
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