"What reward is offered, officer?" asked Indiman as the carriage drove
off.
"One hundred thousand dollars, sir. It will be a big thing for me
if--if--" He stopped, a trifle embarrassed.
"Ah, those ifs!" quoted Indiman, musingly.
The chief of the detective bureau received us in his private room. He
listened attentively to Blake's report, but seemed rather puzzled than
gratified by its triumphant peroration. Now the young man felt that he
had done a big thing, and this non-committal attitude of his superior
chagrined him. He unrolled the covering in which the picture had been
wrapped.
"There!" he said, half resentfully. The chief looked carefully at the
picture and turned to Indiman.
"Do you desire to make any explanation, Mr. Indiman, as to how this
picture happens to be in your possession?"
"Certainly," was the prompt reply. "I bought it for a small sum a month
ago on the lower Bowery. The dealer's name was Gregory, I think."
Young Mr. Blake sniffed incredulously. A messenger handed a couple of
telegrams to the chief. He read them with knitted brows and then
touched a call-bell.
"Send in Officer Stone," he ordered.
Mr. Stone immediately made his appearance. In his hand he carried a
flat, square parcel which, in obedience to a further order, he
proceeded to unwrap. I uttered an involuntary cry, for it was nothing
less than a replica of the famous portrait of the "Red Duchess." A
replica, indeed!--it would take an expert to decide which of the two
was the copy; they were absolutely alike, even to the detail of the
rough edges, the marks of the blunted knife.
"This picture was discovered in an art dealer's window on Fourth Avenue
near Twenty-ninth Street," explained the chief of the detective bureau.
"And now kindly listen to these despatches. The first from the chief of
police of New Orleans:
"'Lely portrait discovered in pawn-shop. Officer Smith goes North
to-night to return property and claim reward. J. H. BOWEN."
The other from Pittsburg, in substantially the same language, reports
the finding of the portrait of the 'Red Duchess' in a private gallery.
This fourth picture is also on its way to New York for identification."
We all looked at one another, Blake the picture of puzzled anger and
disappointment. "Which is the true picture?" asked the chief. "Mr.
Indiman, I should be glad of your opinion."
Indiman, who had been examining the canvas held by Stone, answered
quickly: "Neither of these, and it is more than probable that the other
two are also copies by the same hand. Wonderfully well done, too, but
the study of portraiture is a hobby of mine; I have even contemplated a
monograph on the subject, or, more particularly, a hand-book to the
smaller galleries and private collections. But I doubt if I ever do it
now," he concluded, meditatively.
"The 'Red Duchess'?" persisted the chief.
Public-domain text, read in full here on John Shaqi.
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