Mrs. Barker, a woman of commanding presence and dressed in rusty black,
came into the room. She did not utter a word, not even the conventional
remark that it was a fine night or that the evenings would soon begin to
draw in now. With a funereal but businesslike demeanor she began to
remove the debris of the meal, at intervals giving vent to a rasping
cough or a malignant sniff. Of her presence Lionel seemed oblivious, for
he continued sitting with his back to the door, gazing with apparent
interest into the street. This, perhaps, was curious, for the street was
but a lane with little traffic and no features worthy of note. Nor was
the building opposite calculated to inspire the most sedulous observer,
being merely the blank wall of a warehouse. Not a single window relieved
the monotony, usually so painful to the artist or the adventurer. And
yet Lionel puffed at his pipe, gazing silently in front of him as if at
a masterpiece by Whistler.
When the landlady had transferred the tea-things to a tray, shaken the
crumbs from the table-cloth into the empty grate and folded it, she
nerved herself for a direct attack. Placing her arms akimbo--an attitude
usually denoting truculent defiance or a pleasurable sense of
injustice--she pronounced her lodger's name. Lionel started, as if made
aware of her presence for the first time. He took his pipe from his
mouth and turned with a pleasant smile.
"Good evening, Mrs. Barker," he said with careful politeness. "A fine
night, is it not?"
She assented with an ill grace. Without giving her time to add to her
appreciation, Lionel continued in suave but enthusiastic tones:
"Oblige me, Mrs. Barker, by observing the manner in which the sun
strikes the opposite wall. Notice the sharp outline of that chimney-pot
against the sky. Remark the bold sweep of that piece of spouting--a true
secession curve of which the molder was probably completely ignorant.
Again, the background! That dull gray monotone----"
This rhapsody was interrupted by Mrs. Barker, whose artistic education
had consisted in a course of free-hand drawing in a board school and a
study of the colored plates issued by the Christmas magazines. It was
hardly to be expected that she should wax enthusiastic over the
warehouse wall.
"It's no good torkin, Mr. Mortimer," she said; "I want my rent."
"But how reasonable!" returned Lionel with increased brightness. "How
much does it come to? Certain tokens of copper--silver--gold--with some
trifling additions for food, fire, etc.----"
"One pahnd three sempence for this week," snapped Mrs. Barker. After a
pause she added constrainedly, "If yer please."
Public-domain text, read in full here on John Shaqi.
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